Doomed Eternality of Desire and Fear in A Delicate Balance

by Samira Sasani, Elham Haghrezaei
Published 2018-11-01

Post-traumatic people in Paul Auster's The Book of Illusions from Cathy Caruth's and Michelle Balaev's perspectives

by Samira Sasani, Diba Arjmandi
Published 2018-07-01

Entrapment in Relationships in August Strindberg’s The Father and Harold Pinter’s The Collection

by Samira Sasani, Parvin Ghasemi
Published 2014-01-01

The Influence of Anton Chekhov on Samuel Beckett: Inaction and Investment of hope into Godot-like Figures in Three Sisters and Waiting for Godot

by Samira Sasani, Parvin Ghasemi
Published 2011-01-01

Post-Traumatic People in Paul Auster's The Book of Illusions from Cathy Caruth's and Michelle Balaev's Perspectives

by Samira Sasani, Diba Arjmandi
Published 2018-06-01

Stylistically Disempowered Masculinity in Shepard’s Buried Child

by Ali Aghaei, Samira Sasani
Published 2020-11-01

'Myth plus Psychology’ in Death in Venice

by Samira Sasani, Zahra Sadeghi
Published 2018-05-01

An Althusserian Study of A Streetcar Named Desire: An Ideological Entanglement

by Samira Sasani, Hamid Reza Pilevar
Published 2017-06-01

Mahatma Gandhi and Conflict Resolution in “Master Harold”… and the boys

by Mohammad Mehdi Saberi, Samira Sasani
Published 2020-07-01

Lacanian Dream and Desire in A Streetcar Named Desire

by Parvin Ghasemi, Samira Sasani, Mehdi Abbasi Rami
Published 2017-12-01