Paving the Road to Historical Novel: “Les Histoires Secrètes” in France at the Turn of the 17th and 18th Centuries

This article examines the genre of “secret history” which gained widespread currency in France after the publication of the book Anecdotes of Florence: or, A Secret History of the House of Medici (1685) by Antoine de Varillas. The preface to the book gives an overview of the theory of the genre that...

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Main Author: Andrey V. Golubkov
Format: Article
Language:English
Published: A.M. Gorky Institute of World Literature of the Russian Academy of Sciences 2020-12-01
Series:Studia Litterarum
Subjects:
Online Access:http://studlit.ru/images/2020-5-4/Golubkov.pdf
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spelling doaj-00a02b324de142da95459ad226e599f62020-12-13T13:34:23ZengA.M. Gorky Institute of World Literature of the Russian Academy of SciencesStudia Litterarum2500-42472541-85642020-12-01548810110.22455/2500-4247-2020-5-4-88-101Paving the Road to Historical Novel: “Les Histoires Secrètes” in France at the Turn of the 17th and 18th Centuries Andrey V. Golubkov0https://orcid.org/0000-0002-7069-1033A.M. Gorky Institute of World Literature of the Russian Academy of SciencesThis article examines the genre of “secret history” which gained widespread currency in France after the publication of the book Anecdotes of Florence: or, A Secret History of the House of Medici (1685) by Antoine de Varillas. The preface to the book gives an overview of the theory of the genre that welcomes representation of hidden, sometimes “dishonorable” or “insignificant” premises of important events, usually ignored by official historiographers who tend to focus on the façade of their protagonist’s life. Authors of such “secret” stories are advised to use gossips obtained from the “royal” circles and find their way into the studies and bedrooms hidden from the eyes of the others. The article shows the impact that elements of Varillas’s poetic style (ethnographic flair, the topoi of bedroom and “cabinet,” focus on the human body etc.) had on the texts of “secret” memoirs and notes by François-Paulin Dalairac, Esaias von Pufendorf, Madeleine-Angélique de Gomez, and others. A more detailed interpretation demonstrates how historical narrative degraded into fictional prose and in many respects anticipated — together with other sources analyzed in the article — a formula of the historical novel a la Walter Scott.http://studlit.ru/images/2020-5-4/Golubkov.pdffrench literatureanecdote“secret history” a. varillasf.-p. dalairace. pufendorfm.-a. gomezl. de mailly.
collection DOAJ
language English
format Article
sources DOAJ
author Andrey V. Golubkov
spellingShingle Andrey V. Golubkov
Paving the Road to Historical Novel: “Les Histoires Secrètes” in France at the Turn of the 17th and 18th Centuries
Studia Litterarum
french literature
anecdote
“secret history
” a. varillas
f.-p. dalairac
e. pufendorf
m.-a. gomez
l. de mailly.
author_facet Andrey V. Golubkov
author_sort Andrey V. Golubkov
title Paving the Road to Historical Novel: “Les Histoires Secrètes” in France at the Turn of the 17th and 18th Centuries
title_short Paving the Road to Historical Novel: “Les Histoires Secrètes” in France at the Turn of the 17th and 18th Centuries
title_full Paving the Road to Historical Novel: “Les Histoires Secrètes” in France at the Turn of the 17th and 18th Centuries
title_fullStr Paving the Road to Historical Novel: “Les Histoires Secrètes” in France at the Turn of the 17th and 18th Centuries
title_full_unstemmed Paving the Road to Historical Novel: “Les Histoires Secrètes” in France at the Turn of the 17th and 18th Centuries
title_sort paving the road to historical novel: “les histoires secrètes” in france at the turn of the 17th and 18th centuries
publisher A.M. Gorky Institute of World Literature of the Russian Academy of Sciences
series Studia Litterarum
issn 2500-4247
2541-8564
publishDate 2020-12-01
description This article examines the genre of “secret history” which gained widespread currency in France after the publication of the book Anecdotes of Florence: or, A Secret History of the House of Medici (1685) by Antoine de Varillas. The preface to the book gives an overview of the theory of the genre that welcomes representation of hidden, sometimes “dishonorable” or “insignificant” premises of important events, usually ignored by official historiographers who tend to focus on the façade of their protagonist’s life. Authors of such “secret” stories are advised to use gossips obtained from the “royal” circles and find their way into the studies and bedrooms hidden from the eyes of the others. The article shows the impact that elements of Varillas’s poetic style (ethnographic flair, the topoi of bedroom and “cabinet,” focus on the human body etc.) had on the texts of “secret” memoirs and notes by François-Paulin Dalairac, Esaias von Pufendorf, Madeleine-Angélique de Gomez, and others. A more detailed interpretation demonstrates how historical narrative degraded into fictional prose and in many respects anticipated — together with other sources analyzed in the article — a formula of the historical novel a la Walter Scott.
topic french literature
anecdote
“secret history
” a. varillas
f.-p. dalairac
e. pufendorf
m.-a. gomez
l. de mailly.
url http://studlit.ru/images/2020-5-4/Golubkov.pdf
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