« Through a Glass Darkly » : the Opaque Transparence of « The Glass Coffin » by A. S. Byatt
Opening The Djinn in the Nightingale’s Eye, a collection of short-stories published in 1994, “The Glass Coffin”, through its very title and its reference to the familiar world of the fairy-tale, seems to promise its reader a transparent reading. However, its “palimpsestuous” depths soon reveal opaqu...
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Presses Universitaires de la Méditerranée
2013-09-01
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Online Access: | http://journals.openedition.org/ebc/484 |
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doaj-022815e265c24c5686e70536d7291bf22020-11-24T21:07:20ZengPresses Universitaires de la MéditerranéeÉtudes Britanniques Contemporaines1168-49172271-54442013-09-014410.4000/ebc.484« Through a Glass Darkly » : the Opaque Transparence of « The Glass Coffin » by A. S. ByattCatherine Delesalle-NanceyOpening The Djinn in the Nightingale’s Eye, a collection of short-stories published in 1994, “The Glass Coffin”, through its very title and its reference to the familiar world of the fairy-tale, seems to promise its reader a transparent reading. However, its “palimpsestuous” depths soon reveal opaque recesses which call into question the classical interpretations it first seemed to call for. The slight distortion the short-story brings to the traditional happy ending–the hero has to share his princess with her twin-brother–encourages the reader to look for interpretation keys in the intertexts, the short-story having first been published in Possession. But the very superposition of these intertexts, which fail to coincide, further blurs interpretation. It is therefore the metatextual dimension of the short-story which needs to be probed into as “The Glass Coffin” offers a multi-facetted portrait of the artist and his creation, eventually revealing transparence as a point of opacity.http://journals.openedition.org/ebc/484ByattconteénigmeintertextePossessiontransparence |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Catherine Delesalle-Nancey |
spellingShingle |
Catherine Delesalle-Nancey « Through a Glass Darkly » : the Opaque Transparence of « The Glass Coffin » by A. S. Byatt Études Britanniques Contemporaines Byatt conte énigme intertexte Possession transparence |
author_facet |
Catherine Delesalle-Nancey |
author_sort |
Catherine Delesalle-Nancey |
title |
« Through a Glass Darkly » : the Opaque Transparence of « The Glass Coffin » by A. S. Byatt |
title_short |
« Through a Glass Darkly » : the Opaque Transparence of « The Glass Coffin » by A. S. Byatt |
title_full |
« Through a Glass Darkly » : the Opaque Transparence of « The Glass Coffin » by A. S. Byatt |
title_fullStr |
« Through a Glass Darkly » : the Opaque Transparence of « The Glass Coffin » by A. S. Byatt |
title_full_unstemmed |
« Through a Glass Darkly » : the Opaque Transparence of « The Glass Coffin » by A. S. Byatt |
title_sort |
« through a glass darkly » : the opaque transparence of « the glass coffin » by a. s. byatt |
publisher |
Presses Universitaires de la Méditerranée |
series |
Études Britanniques Contemporaines |
issn |
1168-4917 2271-5444 |
publishDate |
2013-09-01 |
description |
Opening The Djinn in the Nightingale’s Eye, a collection of short-stories published in 1994, “The Glass Coffin”, through its very title and its reference to the familiar world of the fairy-tale, seems to promise its reader a transparent reading. However, its “palimpsestuous” depths soon reveal opaque recesses which call into question the classical interpretations it first seemed to call for. The slight distortion the short-story brings to the traditional happy ending–the hero has to share his princess with her twin-brother–encourages the reader to look for interpretation keys in the intertexts, the short-story having first been published in Possession. But the very superposition of these intertexts, which fail to coincide, further blurs interpretation. It is therefore the metatextual dimension of the short-story which needs to be probed into as “The Glass Coffin” offers a multi-facetted portrait of the artist and his creation, eventually revealing transparence as a point of opacity. |
topic |
Byatt conte énigme intertexte Possession transparence |
url |
http://journals.openedition.org/ebc/484 |
work_keys_str_mv |
AT catherinedelesallenancey throughaglassdarklytheopaquetransparenceoftheglasscoffinbyasbyatt |
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1716763302480052224 |