David Hockney’s Early Etchings: Going Transatlantic and Being British
David Hockney’s early autobiographical prints, My Bonnie Lies Over the Ocean 1961 and the series A Rake’s Progress 1961–3, are examined in relation to contemporary developments in American art and literature, the artist’s affinities with his British modernist contemporaries and predecessors, and oth...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Tate
2017-05-01
|
| Series: | Tate Papers |
| Subjects: | |
| Online Access: | http://www.tate.org.uk/research/publications/tate-papers/27/david-hockney-etchings |