The Mecha that therefore we are (not): an eco-phenomenological reading of Neon Genesis Evangelion
In the late 1960s, the Japanese animation inaugurated a prolific science fiction strand which addressed the topic of mediated experience. In a context of transnational reception and consumption of anime, the “robotic” subgenre (particularly the one that will be called “mecha” in the 1980s, i.e., nar...
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| Format: | Article |
| Language: | English |
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University of Bologna
2021-07-01
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| Series: | Series. International journal of tv serial narratives |
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| Online Access: | https://series.unibo.it/article/view/12465 |