Appropriation, Additive Approaches and Accidents: The Sampler as Compositional Tool and Recording Dislocation

Brian Eno describes the recording studio as a compositional tool that has enabled composers to enjoy a more direct relationship with sound. This article will explore the use of the digital sampler as one of the studio tools that forms part of this creative process and focuses on interviews with a gr...

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Bibliographic Details
Main Author: Paul Harkins
Format: Article
Language:English
Published: International Association for the Study of Popular Music 2010-01-01
Series:IASPM Journal
Subjects:
art
Online Access:https://iaspmjournal.net/index.php/IASPM_Journal/article/view/333/556