Intermedial performance aesthetics in Patricia Fagundes' A Midsummer Night's Dream

In A Midsummer Night’s Dream (1594-1595), Shakespeare introduces elements borrowed from court masques, mainly music and dance. After a brief exploration of critical arguments claiming that Shakespeare’s play is the model for musical versions produced during and after the Restoration, this essay inve...

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Bibliographic Details
Main Author: Anna Stegh Camati
Format: Article
Language:English
Published: Universidade Federal de Minas Gerais 2013-12-01
Series:Aletria: Revista de Estudos de Literatura
Subjects:
Online Access:http://www.periodicos.letras.ufmg.br/index.php/aletria/article/view/4942