Hybrid Cinema: the construction of the cinematic field in Brazil and Portugal starting from the late 1940s
In this article I intend to argue how the construction of the hybrid concept can be understood within the general framework of the Brazilian and Portuguese film society movement, both deeply committed to the appreciation of artistic cinema. In the wake of the theoretical and methodological scales fr...
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| Format: | Article |
| Language: | Portuguese |
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Universidade Estadual de Maringá
2016-07-01
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| Series: | Diálogos |
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| Online Access: | http://www.periodicos.uem.br/ojs/index.php/Dialogos/article/view/32276 |