FILM EDITING AS A SYSTEM: FROM THEORY TO REAL PRACTICE
Since the 1920’s there have been two ways of considering film editing: first, as a basic set of rules of putting fragments of film together (Lev Kuleshov) and, second, film editing as means of film directing (Dziga Vertov, Vsevolod Pudovkin, Sergei Eisenstein, etc.). The absence of a systematic appr...
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| Format: | Article |
| Language: | deu |
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Notograf Prim
2018-11-01
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| Series: | Studiul Artelor şi Culturologie: Istorie, Teorie, Practică |
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| Online Access: | http://revista.amtap.md/wp-content/files_mf/157251912312.kaminski.pdf |