Scalable Autobiographical (Re-)Mediations: the Challenge of Hyper-nonfiction Writing in Joan Didion’s The White Album, Annie Dillard’s Pilgrim at Tinker Creek and Sara Suleri’s Meatless Days
The paper shows how selected works of pre-internet American autobiographical nonfiction already presupposed forms of cognitive mapping more typical of recent epistemological developments in the field of digital humanities. By means of a renovated focus on the too-often overlooked potentialities of e...
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| Format: | Article |
| Language: | English |
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Department of Foreign Languages and Literatures at the University of Verona
2018-12-01
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| Series: | Iperstoria |
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| Online Access: | https://iperstoria.it/article/view/397 |