La voix contemporaine de Molière (ou les voies d'un Impromptu sur scène)
To stage a Molière play in Portugal nowadays poses a metatheatrical challenge as the stage itself becomes a space for the utopian recreation of voices, bodies and objects which once made sense in Versailles. D. João, by Ricardo Pais (2006) becomes a tragi-comic spectacle of seventeenth-century erudi...
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| Format: | Article |
| Language: | English |
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Association Portugaise d'Etudes Françaises
2018-05-01
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| Series: | Carnets |
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| Online Access: | http://journals.openedition.org/carnets/2609 |