Experiences of anamorphosis between poetry, architecture, and social context: interview with Boa Mistura

<p style="margin: 0cm 0cm 8pt;"><span style="font-family: Calibri; font-size: medium;">The paper presents an interview with Boa Mistura, a multidisciplinary Madrid art collective that works all over the world and creates urban works based on the use of anamorphosis an...

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Main Author: Vincenza Garofalo
Format: Article
Language:English
Published: University of L'Aquila 2020-06-01
Series:Disegnare con
Subjects:
Online Access:http://disegnarecon.univaq.it/ojs/index.php/disegnarecon/article/view/729
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spelling doaj-77c2ad46d2074c79bdef74bb6b4760e92021-07-14T13:58:24ZengUniversity of L'AquilaDisegnare con1828-59612020-06-011324299Experiences of anamorphosis between poetry, architecture, and social context: interview with Boa MisturaVincenza Garofalo0Università di Palermo<p style="margin: 0cm 0cm 8pt;"><span style="font-family: Calibri; font-size: medium;">The paper presents an interview with Boa Mistura, a multidisciplinary Madrid art collective that works all over the world and creates urban works based on the use of anamorphosis and the visual perception of urban spaces.</span></p><p style="margin: 0cm 0cm 8pt;"><span style="font-family: Calibri; font-size: medium;">The Boa Mistura projects are “site specific”, they are designed for a specific space and place. In the interview we explore the relationship between urban art and physical context, the way in which the works adapt to the surfaces and volumes on which they are made.</span></p><p style="margin: 0cm 0cm 8pt;"><span style="font-family: Calibri; font-size: medium;">The physical support of the works of Boa Mistura is often made up of separate and not coplanar surfaces and of volumes, sometimes disjointed, on which the murals recline. The same historiated surfaces determine the three-dimensional effect of the vision and condition the construction of the image in space.</span></p><p style="margin: 0cm 0cm 8pt;"><span style="font-family: Calibri; font-size: medium;">Anamorphosis generates an effect of astonishment when, after observing an apparently chaotic and meaningless composition, it is discovered and recognised, observing it from the correct point of view that has preordained the whole. In this way, the final image is perceived as unitary and continuous, even if composed on discontinuous surfaces.</span></p><p style="margin: 0cm 0cm 8pt;"><span style="font-family: Calibri; font-size: medium;">The Boa Mistura projects also aim to involve entire communities, often vulnerable and at high risk of marginalisation, in the creative process and in the transformation of common spaces through painting. The artists come into contact with the communities through participatory dynamics that reinforce the sense of identity and belonging.</span></p><p><span style="line-height: 107%; font-family: 'Calibri',sans-serif; font-size: 11pt; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: IT; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;">In the interview, Boa Mistura tells about some artistic experiences that have changed the perception of places and triggered processes of urban regeneration and social change.</span></p><p><span style="line-height: 107%; font-family: 'Calibri',sans-serif; font-size: 11pt; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: IT; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;">DOI: </span><a href="https://doi.org/10.20365/disegnarecon.24.2020.i4">https://doi.org/10.20365/disegnarecon.24.2020.i4</a></p><p><span style="line-height: 107%; font-family: 'Calibri',sans-serif; font-size: 11pt; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: IT; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;"><br /></span></p>http://disegnarecon.univaq.it/ojs/index.php/disegnarecon/article/view/729anamorphosisstreet artboa misturaurban regeneration
collection DOAJ
language English
format Article
sources DOAJ
author Vincenza Garofalo
spellingShingle Vincenza Garofalo
Experiences of anamorphosis between poetry, architecture, and social context: interview with Boa Mistura
Disegnare con
anamorphosis
street art
boa mistura
urban regeneration
author_facet Vincenza Garofalo
author_sort Vincenza Garofalo
title Experiences of anamorphosis between poetry, architecture, and social context: interview with Boa Mistura
title_short Experiences of anamorphosis between poetry, architecture, and social context: interview with Boa Mistura
title_full Experiences of anamorphosis between poetry, architecture, and social context: interview with Boa Mistura
title_fullStr Experiences of anamorphosis between poetry, architecture, and social context: interview with Boa Mistura
title_full_unstemmed Experiences of anamorphosis between poetry, architecture, and social context: interview with Boa Mistura
title_sort experiences of anamorphosis between poetry, architecture, and social context: interview with boa mistura
publisher University of L'Aquila
series Disegnare con
issn 1828-5961
publishDate 2020-06-01
description <p style="margin: 0cm 0cm 8pt;"><span style="font-family: Calibri; font-size: medium;">The paper presents an interview with Boa Mistura, a multidisciplinary Madrid art collective that works all over the world and creates urban works based on the use of anamorphosis and the visual perception of urban spaces.</span></p><p style="margin: 0cm 0cm 8pt;"><span style="font-family: Calibri; font-size: medium;">The Boa Mistura projects are “site specific”, they are designed for a specific space and place. In the interview we explore the relationship between urban art and physical context, the way in which the works adapt to the surfaces and volumes on which they are made.</span></p><p style="margin: 0cm 0cm 8pt;"><span style="font-family: Calibri; font-size: medium;">The physical support of the works of Boa Mistura is often made up of separate and not coplanar surfaces and of volumes, sometimes disjointed, on which the murals recline. The same historiated surfaces determine the three-dimensional effect of the vision and condition the construction of the image in space.</span></p><p style="margin: 0cm 0cm 8pt;"><span style="font-family: Calibri; font-size: medium;">Anamorphosis generates an effect of astonishment when, after observing an apparently chaotic and meaningless composition, it is discovered and recognised, observing it from the correct point of view that has preordained the whole. In this way, the final image is perceived as unitary and continuous, even if composed on discontinuous surfaces.</span></p><p style="margin: 0cm 0cm 8pt;"><span style="font-family: Calibri; font-size: medium;">The Boa Mistura projects also aim to involve entire communities, often vulnerable and at high risk of marginalisation, in the creative process and in the transformation of common spaces through painting. The artists come into contact with the communities through participatory dynamics that reinforce the sense of identity and belonging.</span></p><p><span style="line-height: 107%; font-family: 'Calibri',sans-serif; font-size: 11pt; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: IT; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;">In the interview, Boa Mistura tells about some artistic experiences that have changed the perception of places and triggered processes of urban regeneration and social change.</span></p><p><span style="line-height: 107%; font-family: 'Calibri',sans-serif; font-size: 11pt; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: IT; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;">DOI: </span><a href="https://doi.org/10.20365/disegnarecon.24.2020.i4">https://doi.org/10.20365/disegnarecon.24.2020.i4</a></p><p><span style="line-height: 107%; font-family: 'Calibri',sans-serif; font-size: 11pt; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: IT; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;"><br /></span></p>
topic anamorphosis
street art
boa mistura
urban regeneration
url http://disegnarecon.univaq.it/ojs/index.php/disegnarecon/article/view/729
work_keys_str_mv AT vincenzagarofalo experiencesofanamorphosisbetweenpoetryarchitectureandsocialcontextinterviewwithboamistura
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