Le cinéma est-il bachelardien? hypothèse théoriques autour de la matière (et) des images
Either in his epistemological or "poetic" writings, Gaston Bachelard has almost never referred to the cinema – of which he was contemporary –, unlike other artistic practices, more valued, such as painting or engraving. Where, exceptionally, he mentions the device that produces moving imag...
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| Format: | Article |
| Language: | English |
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Università degli Studi di Milano
2012-10-01
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| Series: | Altre Modernità |
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| Online Access: | https://riviste.unimi.it/index.php/AMonline/article/view/2416 |