L’anomalia Verdi, ovvero la resa del professore: il pensiero di Cesare Lombroso sulla musica
In 1894, Cesare Lombroso became the spokesman of a new way of understanding music: no longer as an art “inspired by feeling(s)”, but as a renewed discipline, entering a “totally scientific phase”. The Italian positivist states that one can explore the world of sounds from a completely different pers...
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| Format: | Article |
| Language: | fra |
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École Normale Supérieure de Lyon Editions
2017-11-01
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| Series: | Laboratoire Italien |
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| Online Access: | http://journals.openedition.org/laboratoireitalien/1640 |