Concerning the Ontological Status of the Notated Musical Work in the Fifteenth and Sixteenth Centuries
In her detailed and imaginative study of the concept of the musical work, The Imag;inary Museum of Musical Works (1992), Lydia Goehr has made the claim that, prompted by "changes in aesthetic theory, society, and poli-tics," eighteenth century musicians began "to think about music in...
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| Format: | Article |
| Language: | English |
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Columbia University Libraries
2003-03-01
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| Series: | Current Musicology |
| Online Access: | https://journals.library.columbia.edu/index.php/currentmusicology/article/view/4936 |