Banal art history. Baroque, modernization and official cinematography in Franco’s Spain

In this article the newsreels made by Noticiarios y Documentales Cinematográficos (Cinematographic Newsreels and Documentaries, NO-DO), the official film production company created by Francoism, will be analyzed in order to shed light on the political, cultural and social role played by the presenta...

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Bibliographic Details
Main Author: Noemi de Haro García
Format: Article
Language:English
Published: Department of Art History, University of Birmingham 2016-12-01
Series:Journal of Art Historiography
Subjects:
Online Access:https://arthistoriography.files.wordpress.com/2016/11/deharogarcia.pdf
Description
Summary:In this article the newsreels made by Noticiarios y Documentales Cinematográficos (Cinematographic Newsreels and Documentaries, NO-DO), the official film production company created by Francoism, will be analyzed in order to shed light on the political, cultural and social role played by the presentation of art and art history to a wide public under Francoism. Special attention will be devoted to the role played by the imaginaries associated with the visual arts of the baroque and the Golden Age and to the ways in which they crossed paths with the construction of a national identity and the changes experimented by the dictatorship. This will show to what extent ‘banal art history’ can play a relevant role in ‘banal nationalism’ as defined by Michael Billig.
ISSN:2042-4752