‘Crows’ vs. ‘Avatar,’ or: 3D vs. Total-Dimension Immersion

3D film’s explicit new space depth arguably provides both an enhanced realistic quality to the image and a wealth of more acute visual and haptic sensations (a ‘montage of attractions’) to the increasingly involved spectator. But David Cronenberg’s related ironic remark that “cinema as such is from...

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Bibliographic Details
Main Author: Martins José Manuel
Format: Article
Language:English
Published: Sciendo 2014-09-01
Series:Acta Universitatis Sapientiae: Film and Media Studies
Subjects:
Online Access:https://doi.org/10.2478/ausfm-2014-0027