The Widening, Destruction and Fusion of Sounding Bodies. The Significance of the Body in “Experimental Chamber Music” Works by Jörg Widmann
“Toccare”: the resonant body of the grand piano is developed in a percussive manner – otherwise gently sounds evoke the ensemble of percussions. The piano is “hit” in Jörg Widmann’s Hallstudie (2003), whereas the real percussions are softly “touched” in his Skelett (2004). However, in both pieces th...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Università degli Studi di Torino
2013-12-01
|
| Series: | Gli Spazi della Musica |
| Online Access: | https://www.ojs.unito.it/index.php/spazidellamusica/article/view/449 |