Objet et pratiques sémiotiques : quelques enjeux médiatiques du support photographique

Although the first reflections on photography were limited to defining the essence of the medium as well as its discursive aspect, the semiotic approach gradually became more interested in the uses of the photographic image and its function in social and cultural practices. Following the evolution o...

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Main Author: Cédric Honba Honba
Format: Article
Language:English
Published: Université de liège 2018-10-01
Series:Signata
Subjects:
Online Access:http://journals.openedition.org/signata/1580
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spelling doaj-ae7b8d2eb0e64153800fe963bdc45b4e2020-11-25T03:34:13ZengUniversité de liègeSignata2032-98062018-10-01955157410.4000/signata.1580Objet et pratiques sémiotiques : quelques enjeux médiatiques du support photographiqueCédric Honba HonbaAlthough the first reflections on photography were limited to defining the essence of the medium as well as its discursive aspect, the semiotic approach gradually became more interested in the uses of the photographic image and its function in social and cultural practices. Following the evolution of the semiotic methodology, this paper focus on the experience of the body and on intersubjectivity (enunciation theory) as levels of relevance between a semiotic of text and a semiotic of practices. Thus, the photographic medium can be considered as an intermediary level between the organisation of the “text-uttered” in the image, and the experience of a “photographic object” containing and presenting this image. By relating these different theoretical and methodological elements to the case of archives, this paper emphasises that researches on enunciation, object and support shed new light on a more specific question, that is the analysis of photographic archives. Acknowledging the historical and documentary significance of this type of archive, semiotics can elucidate the communication and discursive purposes of photographic archiving in a media environment which is currently undergoing technological transformation.http://journals.openedition.org/signata/1580photographyimagemediationsenunciationobjectspractices
collection DOAJ
language English
format Article
sources DOAJ
author Cédric Honba Honba
spellingShingle Cédric Honba Honba
Objet et pratiques sémiotiques : quelques enjeux médiatiques du support photographique
Signata
photography
image
mediations
enunciation
objects
practices
author_facet Cédric Honba Honba
author_sort Cédric Honba Honba
title Objet et pratiques sémiotiques : quelques enjeux médiatiques du support photographique
title_short Objet et pratiques sémiotiques : quelques enjeux médiatiques du support photographique
title_full Objet et pratiques sémiotiques : quelques enjeux médiatiques du support photographique
title_fullStr Objet et pratiques sémiotiques : quelques enjeux médiatiques du support photographique
title_full_unstemmed Objet et pratiques sémiotiques : quelques enjeux médiatiques du support photographique
title_sort objet et pratiques sémiotiques : quelques enjeux médiatiques du support photographique
publisher Université de liège
series Signata
issn 2032-9806
publishDate 2018-10-01
description Although the first reflections on photography were limited to defining the essence of the medium as well as its discursive aspect, the semiotic approach gradually became more interested in the uses of the photographic image and its function in social and cultural practices. Following the evolution of the semiotic methodology, this paper focus on the experience of the body and on intersubjectivity (enunciation theory) as levels of relevance between a semiotic of text and a semiotic of practices. Thus, the photographic medium can be considered as an intermediary level between the organisation of the “text-uttered” in the image, and the experience of a “photographic object” containing and presenting this image. By relating these different theoretical and methodological elements to the case of archives, this paper emphasises that researches on enunciation, object and support shed new light on a more specific question, that is the analysis of photographic archives. Acknowledging the historical and documentary significance of this type of archive, semiotics can elucidate the communication and discursive purposes of photographic archiving in a media environment which is currently undergoing technological transformation.
topic photography
image
mediations
enunciation
objects
practices
url http://journals.openedition.org/signata/1580
work_keys_str_mv AT cedrichonbahonba objetetpratiquessemiotiquesquelquesenjeuxmediatiquesdusupportphotographique
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