Jason Moran’s Staged: Improvisational Blurring and the Boundaries of Conceptual Art
I examine jazz pianist Jason Moran’s conceptual artwork, Staged (2015/18), in order to interrogate the intersection between improvisation and contemporary art. Enlisting and expanding upon George Lewis’s coinage and theorization of Afrological and Eurological practices, I outline discourses that hav...
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| Format: | Article |
| Language: | deu |
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Institute of Philosophy of the Jagiellonian University
2019-09-01
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| Series: | The Polish Journal of Aesthetics |
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| Online Access: | https://pjaesthetics.uj.edu.pl/documents/138618288/143854005/PJA-54-mcmullen.pdf/03e45fe0-64eb-4fdb-b805-b19f7f3e5149 |