The Baroque polychromy in Roussillon

In the Roussillon region, the important number of well-preserved baroque altarpieces (1650- 1730) has only been studied from the sculptural aspect. This article wishes to lay the basis for a study of gilding and polychromy on these works, putting the emphasis on the geographical origins of the gilde...

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Bibliographic Details
Main Author: Julien Lugand
Format: Article
Language:Catalan
Published: Universitat Autonoma de Barcelona. Departament d'Art i Musica 2004-12-01
Series:Locvs Amoenvs
Subjects:
Online Access:https://revistes.uab.cat/locus/article/view/148