MEMORIAL SITE AS SPACE OF ENGAGEMENT. IDEOLOGICAL AND ARTISTIC CONCEPT OF THE MUSEUM AND MEMORIAL IN SOBIBÓR
The implementation of the new ideological and artistic concept of the Museum and Memorial in Sobibór on the site of the former Nazi German death camp selected in the 2013 competition is discussed. The winning design is analysed; apart from the arranging of the area of the former camp, it also envisa...
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doaj-ed729af2bf854c2ea97b8536b6144b532021-07-12T13:04:13ZdeuIndex Copernicus International S.A.Muzealnictwo0464-10862391-48152021-05-0162738310.5604/01.3001.0014.897801.3001.0014.8978MEMORIAL SITE AS SPACE OF ENGAGEMENT. IDEOLOGICAL AND ARTISTIC CONCEPT OF THE MUSEUM AND MEMORIAL IN SOBIBÓRElżbieta Błotnicka-Mazur0Instytut Nauk o Sztuce Katolickiego Uniwersytetu Lubelskiego Jana Pawła IIThe implementation of the new ideological and artistic concept of the Museum and Memorial in Sobibór on the site of the former Nazi German death camp selected in the 2013 competition is discussed. The winning design is analysed; apart from the arranging of the area of the former camp, it also envisaged raising of a museum, the latter stage already completed with the building opened to the public in 2020. The concept of 'space of engagement' is proposed by the Author as best characterising a memorial site created on the premises of the former Nazi concentration camps and death camps for the people of Jewish descent. As a departure point, earlier examples of commemorating similar sites are recalled, beginning with the early monuments from the 1940s, through the 1957 competition for the International Monument to the Victims of the Auschwitz-Birkenau Camp, the latter of major impact on the process of the redefinition of monuments. The then awarded design of the The Road Monument by Oskar Hansen and his team, however unimplemented owing to the protest of former Auschwitz prisoners, became from that time onwards a benchmark for subsequent concepts. Also the mentioned memorial design on the area of the former Belzec extermination camp from 2004 is related to James E. Young’s concept of a counter-monument. The main subject of the paper’s analysis is, however, the reflection on means thanks to which the currently mounted Museum and Memorial in Sobibór, including the permanent display at the newly-raised Museum, become 'space of engagement' for contemporary public on different perception levels of their multi-sensual activity essential in the process of remembrance. http://muzealnictworocznik.com/gicid/01.3001.0014.8978Museum and Memorial in Sobibór'space of engagement'monumentcounter-monument concept |
collection |
DOAJ |
language |
deu |
format |
Article |
sources |
DOAJ |
author |
Elżbieta Błotnicka-Mazur |
spellingShingle |
Elżbieta Błotnicka-Mazur MEMORIAL SITE AS SPACE OF ENGAGEMENT. IDEOLOGICAL AND ARTISTIC CONCEPT OF THE MUSEUM AND MEMORIAL IN SOBIBÓR Muzealnictwo Museum and Memorial in Sobibór 'space of engagement' monument counter-monument concept |
author_facet |
Elżbieta Błotnicka-Mazur |
author_sort |
Elżbieta Błotnicka-Mazur |
title |
MEMORIAL SITE AS SPACE OF ENGAGEMENT.
IDEOLOGICAL AND ARTISTIC CONCEPT OF THE
MUSEUM AND MEMORIAL IN SOBIBÓR |
title_short |
MEMORIAL SITE AS SPACE OF ENGAGEMENT.
IDEOLOGICAL AND ARTISTIC CONCEPT OF THE
MUSEUM AND MEMORIAL IN SOBIBÓR |
title_full |
MEMORIAL SITE AS SPACE OF ENGAGEMENT.
IDEOLOGICAL AND ARTISTIC CONCEPT OF THE
MUSEUM AND MEMORIAL IN SOBIBÓR |
title_fullStr |
MEMORIAL SITE AS SPACE OF ENGAGEMENT.
IDEOLOGICAL AND ARTISTIC CONCEPT OF THE
MUSEUM AND MEMORIAL IN SOBIBÓR |
title_full_unstemmed |
MEMORIAL SITE AS SPACE OF ENGAGEMENT.
IDEOLOGICAL AND ARTISTIC CONCEPT OF THE
MUSEUM AND MEMORIAL IN SOBIBÓR |
title_sort |
memorial site as space of engagement.
ideological and artistic concept of the
museum and memorial in sobibór |
publisher |
Index Copernicus International S.A. |
series |
Muzealnictwo |
issn |
0464-1086 2391-4815 |
publishDate |
2021-05-01 |
description |
The implementation of the new ideological and artistic concept of the Museum and Memorial in Sobibór on the site of the former Nazi German death camp selected in the 2013 competition is discussed. The winning design is analysed; apart from the arranging of the area of the former camp, it also envisaged raising of a museum, the latter stage already completed with the building opened to the public in 2020. The concept of 'space of engagement' is proposed by the Author as best characterising a memorial site created on the premises of the former Nazi concentration camps and death camps for the people of Jewish descent. As a departure point, earlier examples of commemorating similar sites are recalled, beginning with the early monuments from the 1940s, through the 1957 competition for the International Monument to the Victims of the Auschwitz-Birkenau Camp, the latter of major impact on the process of the redefinition of monuments. The then awarded design of the The Road Monument by Oskar Hansen and his team, however unimplemented owing to the protest of former Auschwitz prisoners, became from that time onwards a benchmark for subsequent concepts. Also the mentioned memorial design on the area of the former Belzec extermination camp from 2004 is related to James E. Young’s concept of a counter-monument. The main subject of the paper’s analysis is, however, the reflection on means thanks to which the currently mounted Museum and Memorial in Sobibór, including the permanent display at the newly-raised Museum, become 'space of engagement' for contemporary public on different perception levels of their multi-sensual activity essential in the process of remembrance.
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topic |
Museum and Memorial in Sobibór 'space of engagement' monument counter-monument concept |
url |
http://muzealnictworocznik.com/gicid/01.3001.0014.8978 |
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