The relationship between the dancers’ and the audience’s aesthetic experience

The study investigates the aesthetic experience of a dance performance from the perspective of both the dancers and the audience. The audience observed three short custom-made choreographies that were presented live and then watched the recorded versions, and judged them on an instrument designed to...

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Bibliographic Details
Main Authors: Vukadinović Maja S., Marković Slobodan
Format: Article
Language:English
Published: Drustvo Psihologa Srbije 2017-01-01
Series:Psihologija
Subjects:
Online Access:http://www.doiserbia.nb.rs/img/doi/0048-5705/2017/0048-57051700009V.pdf
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spelling doaj-fcaadac8f3c1432097355935ca0f86462020-11-25T02:19:33ZengDrustvo Psihologa SrbijePsihologija0048-57051451-92832017-01-0150446548110.2298/PSI160222009V0048-57051700009VThe relationship between the dancers’ and the audience’s aesthetic experienceVukadinović Maja S.0Marković Slobodan1Higher Business School for Applied Studies, Novi SadFaculty of Philosophy, Laboratory of Experimental Psychology, BelgradeThe study investigates the aesthetic experience of a dance performance from the perspective of both the dancers and the audience. The audience observed three short custom-made choreographies that were presented live and then watched the recorded versions, and judged them on an instrument designed to measure the aesthetic experience of dance. The choreographies were performed by six dancers. The dancers judged their own performances as well as the recorded versions of the performances. The analyses revealed that the dancers’ aesthetic experience of a dance performance is similar when they perform choreography and watch it on video. On the other hand, the audience showed a higher sensitivity to live performance: they judged the live performance higher on all dimensions of aesthetic experience compared to their video presentation.http://www.doiserbia.nb.rs/img/doi/0048-5705/2017/0048-57051700009V.pdfaesthetic experiencechoreographiesdanceraudienceproprioception
collection DOAJ
language English
format Article
sources DOAJ
author Vukadinović Maja S.
Marković Slobodan
spellingShingle Vukadinović Maja S.
Marković Slobodan
The relationship between the dancers’ and the audience’s aesthetic experience
Psihologija
aesthetic experience
choreographies
dancer
audience
proprioception
author_facet Vukadinović Maja S.
Marković Slobodan
author_sort Vukadinović Maja S.
title The relationship between the dancers’ and the audience’s aesthetic experience
title_short The relationship between the dancers’ and the audience’s aesthetic experience
title_full The relationship between the dancers’ and the audience’s aesthetic experience
title_fullStr The relationship between the dancers’ and the audience’s aesthetic experience
title_full_unstemmed The relationship between the dancers’ and the audience’s aesthetic experience
title_sort relationship between the dancers’ and the audience’s aesthetic experience
publisher Drustvo Psihologa Srbije
series Psihologija
issn 0048-5705
1451-9283
publishDate 2017-01-01
description The study investigates the aesthetic experience of a dance performance from the perspective of both the dancers and the audience. The audience observed three short custom-made choreographies that were presented live and then watched the recorded versions, and judged them on an instrument designed to measure the aesthetic experience of dance. The choreographies were performed by six dancers. The dancers judged their own performances as well as the recorded versions of the performances. The analyses revealed that the dancers’ aesthetic experience of a dance performance is similar when they perform choreography and watch it on video. On the other hand, the audience showed a higher sensitivity to live performance: they judged the live performance higher on all dimensions of aesthetic experience compared to their video presentation.
topic aesthetic experience
choreographies
dancer
audience
proprioception
url http://www.doiserbia.nb.rs/img/doi/0048-5705/2017/0048-57051700009V.pdf
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