"Gu-Chin" for Orchestra : A Preliminary Study on Music Perspectives
碩士 === 國立交通大學 === 應用藝術研究所 === 84 === This thesis consists of two parts: the orchestral composition "Gu-Chin" and the essay expounding the compositional ideas, methods and the theoretical studies about this work. The work is divided to four sections and is scored for an orchestra, a Ch...
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ndltd-TW-084NCTU35090062016-02-05T04:16:38Z http://ndltd.ncl.edu.tw/handle/84137260518541711089 "Gu-Chin" for Orchestra : A Preliminary Study on Music Perspectives 管絃樂曲「谷耹」與創作理念陳述:音樂焦點之初探 Lee, Szu-Hsien 李思 碩士 國立交通大學 應用藝術研究所 84 This thesis consists of two parts: the orchestral composition "Gu-Chin" and the essay expounding the compositional ideas, methods and the theoretical studies about this work. The work is divided to four sections and is scored for an orchestra, a Chinese Chin and a computer. It conveys the various aural impressions on the vally sounds that I had once experienced from different listening perspectives. The essay is arranged in four chapters: chapter one introduces the ideas and concepts in reference to the composition, chapter two presents a preliminary theoretical study on music perspectives, the third chapter describes in details some issues and compositional techniques employed in "Gu-Chin", chapter four is the conclusion and a self evaluation. Yang, Tsung-Hsien 楊聰賢 1996 學位論文 ; thesis 60 zh-TW |
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碩士 === 國立交通大學 === 應用藝術研究所 === 84 ===
This thesis consists of two parts: the orchestral composition "Gu-Chin" and the essay expounding the compositional ideas, methods and the theoretical studies about this work.
The work is divided to four sections and is scored for an orchestra, a Chinese Chin and a computer. It conveys the various aural impressions on the vally sounds that I had once experienced from different listening perspectives.
The essay is arranged in four chapters: chapter one introduces the ideas and concepts in reference to the composition, chapter two presents a preliminary theoretical study on music perspectives, the third chapter describes in details some issues and compositional techniques employed in "Gu-Chin", chapter four is the conclusion and a self evaluation.
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author2 |
Yang, Tsung-Hsien |
author_facet |
Yang, Tsung-Hsien Lee, Szu-Hsien 李思 |
author |
Lee, Szu-Hsien 李思 |
spellingShingle |
Lee, Szu-Hsien 李思 "Gu-Chin" for Orchestra : A Preliminary Study on Music Perspectives |
author_sort |
Lee, Szu-Hsien |
title |
"Gu-Chin" for Orchestra : A Preliminary Study on Music Perspectives |
title_short |
"Gu-Chin" for Orchestra : A Preliminary Study on Music Perspectives |
title_full |
"Gu-Chin" for Orchestra : A Preliminary Study on Music Perspectives |
title_fullStr |
"Gu-Chin" for Orchestra : A Preliminary Study on Music Perspectives |
title_full_unstemmed |
"Gu-Chin" for Orchestra : A Preliminary Study on Music Perspectives |
title_sort |
"gu-chin" for orchestra : a preliminary study on music perspectives |
publishDate |
1996 |
url |
http://ndltd.ncl.edu.tw/handle/84137260518541711089 |
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