the study of Hsueh shao-peng of the Northen Sung Dynasty
碩士 === 中國文化大學 === 藝術研究所 === 91 === THE SUMMARY OF A THESIS the title of thesis: the study of Hsueh shao-peng of the Northen Sung Dynasty the time of graduation and synopsis: the summary of a thesis of master of the 2 nd term of the 91 th year graduate student: Liu Hs...
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ndltd-TW-091PCCU02330082015-10-13T13:35:28Z http://ndltd.ncl.edu.tw/handle/12754899732544793476 the study of Hsueh shao-peng of the Northen Sung Dynasty 北宋薛紹彭研究 Liu Hsiao-ling 劉小鈴 碩士 中國文化大學 藝術研究所 91 THE SUMMARY OF A THESIS the title of thesis: the study of Hsueh shao-peng of the Northen Sung Dynasty the time of graduation and synopsis: the summary of a thesis of master of the 2 nd term of the 91 th year graduate student: Liu Hsiao-ling directive professor: Shen I-jeeng In the Northen Sung Dynasty the calligraphy of Hsueh shao-peng was as famous as Mii Fwu''s, and the Mii Fwu''s "calligraphy book" also introduced shao-peng''s collections of books and paintings. Hsueh shao-peng''s engraving and collection of "Ding-wu a model copy book of calligraphic master'' had the important contribution to two wangs'' calligraphic style. However things changed with the passage of time, the history of calligraphy book is very strange to Hsueh shao-peng. Therefore we studied Hsueh shao-peng. The first chapter: Explore his whole life about his social status, family background and official career. The second chapter: Explore his work " Ching Bih Tarng Tieh" which had the significant meaning to traditional literature of calligraph. The third chapter: Make an arrangement for his calligraphic transmission including the inscriptions from stone tablet and the poetry engraving from the earth and made a review and an exam. The fourth chapter make a brief statement about his collections of seals and calligraph books paintings, gold stones and bronze utensils which we can still see. The fifth chapter: Hsueh Shao-peng still edhered to and followed two Wangs'' steps whether prosperous or weak age, moreover to explore the condition of his dealing with Su Tong-Po, Hwang Tyng-jian and Mii Fwu. Finally the people throughout the ages made an estimation for him. The sixth chapter: Make a conclusion of abjection according to the mentioned above. Key words: Hsueh Shao-peng,Ding-Wu a model copy book of calligraphic master ,Ching Bih Tarng Tieh Shen I-jeeng 沈以正 2003 學位論文 ; thesis 205 zh-TW |
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碩士 === 中國文化大學 === 藝術研究所 === 91 === THE SUMMARY OF A THESIS
the title of thesis: the study of Hsueh shao-peng of the Northen Sung Dynasty
the time of graduation and synopsis: the summary of a thesis of master of the 2 nd term of the 91 th year
graduate student: Liu Hsiao-ling
directive professor: Shen I-jeeng
In the Northen Sung Dynasty the calligraphy of Hsueh shao-peng was as famous as Mii Fwu''s, and the Mii Fwu''s "calligraphy book" also introduced shao-peng''s collections of books and paintings. Hsueh shao-peng''s engraving and collection of "Ding-wu a model copy book of calligraphic master'' had the important contribution to two wangs'' calligraphic style. However things changed with the passage of time, the history of calligraphy book is very strange to Hsueh shao-peng. Therefore we studied Hsueh shao-peng.
The first chapter: Explore his whole life about his social status, family background and official career. The second chapter: Explore his work " Ching Bih Tarng Tieh" which had the significant meaning to traditional literature of calligraph. The third chapter: Make an arrangement for his calligraphic transmission including the inscriptions from stone tablet and the poetry engraving from the earth and made a review and an exam. The fourth chapter make a brief statement about his collections of seals and calligraph books paintings, gold stones and bronze utensils which we can still see. The fifth chapter: Hsueh Shao-peng still edhered to and followed two Wangs'' steps whether prosperous or weak age, moreover to explore the condition of his dealing with Su Tong-Po, Hwang Tyng-jian and Mii Fwu. Finally the people throughout the ages made an estimation for him. The sixth chapter: Make a conclusion of abjection according to the mentioned above.
Key words: Hsueh Shao-peng,Ding-Wu a model copy book of calligraphic master ,Ching Bih Tarng Tieh
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author2 |
Shen I-jeeng |
author_facet |
Shen I-jeeng Liu Hsiao-ling 劉小鈴 |
author |
Liu Hsiao-ling 劉小鈴 |
spellingShingle |
Liu Hsiao-ling 劉小鈴 the study of Hsueh shao-peng of the Northen Sung Dynasty |
author_sort |
Liu Hsiao-ling |
title |
the study of Hsueh shao-peng of the Northen Sung Dynasty |
title_short |
the study of Hsueh shao-peng of the Northen Sung Dynasty |
title_full |
the study of Hsueh shao-peng of the Northen Sung Dynasty |
title_fullStr |
the study of Hsueh shao-peng of the Northen Sung Dynasty |
title_full_unstemmed |
the study of Hsueh shao-peng of the Northen Sung Dynasty |
title_sort |
study of hsueh shao-peng of the northen sung dynasty |
publishDate |
2003 |
url |
http://ndltd.ncl.edu.tw/handle/12754899732544793476 |
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