雍正十二月行樂圖研究

• Main Authors: LAU YING SHIU, 劉盈秀
• Other Authors: 沈以正
• Format: Others
• Language: zh-TW
• Published: 2004
• Online Access: http://ndltd.ncl.edu.tw/handle/41253618227786858111

碩士 === 國立臺灣師範大學 === 美術研究所 === 92 === This thesis aims to examine Yong-zheng Shi-er Yue Xing-le Tu. The thesis is divided into three sections. The first section shows the tradition of Yueh-ling (ordinances of the month), the appearance and development of Yueh-ling Tu, and the existing paintings. The second section focuses on the thorough and deep-going historical tracing of Yong-zheng Shi-er Yue Xing-le Tu in order to dig out their producing year, author, and the place the paintings draw. The third section studies the specialty of Yong-zheng Shi-er Yue Xing-le Tu through making comparisons to existing serial Yueh-ling Tu, Yong-zheng Geng-zhi Tu, and Yong-zheng Xing-le Tu. By surveying Yong-zheng’s life and works as well, I desire to locate the function and underlying political implication of Yong-zheng Shi-er Yue Xing-le Tu. The first section shows the tradition of Chinese Yueh-ling and demonstrates its continuity and significance in Chinese traditional culture. Then, through studying the relationship between Confucian thinking and the tradition of Yueh-ling as well as the function of paintings, I illuminate the appearance of Yueh-ling Tu. At last, I make an introduction of the existing serial Yueh-ling Tu. The core study of Yong-zheng Shi-er Yue Xing-le Tu, in the second section, includes four parts. I attempt to deduce their author and producing year from the portrait of Emperor Yong-zheng, the court archives of Qing Dynasty, the court painters in the ages of Emperor Kang-xi, Emperor Yong-zheng, Emperor Qian-long as well as their painting techniques. The tracing of the places the paintings draw is made through looking into documents and making comparisons and contrasts to existing royal landscape paintings. In addition, I attempt to manifest the importance of the Yong-zheng Shi-er Yue Xing-le Tu’s adopting the Han nationality’s customs of Yueh-ling by explaining the monthly motif activities. The explanation of the positioning and bearing of Emperor Yong-zheng in the paintings is also included. After a general grasp of the painting, I try to analyze the months of special significance further. Through making comparisons to existing serial Xing-le Tu, Yong-zheng Geng-zhi Tu, and Yong-zheng Xing-le Tu, I will display the specialty of Yong-zheng Shi-er Yue Xing-le Tu. By zooming into Yong-zheng’s life, thinking, and works as well, we can understand the purposes of the paintings more fully and deeply. This set of paintings reveals dense atmosphere of the end of the year. In a relaxing atmosphere, coupled with a combination of profound political meaning of the traditional Yueh-ling and interests of the literati and scholars, an underlying political implication is radiated.