The Meaning-making and Collecting Process of Art Learners :From Experiences of Postgraduates at Graduate Institute of Visual Arts Education at National Hualien Teacher’s College.
碩士 === 國立花蓮師範學院 === 視覺藝術教育研究所 === 93 === As the development of consumer culture, there are a lot of products in our daily lives. Therefore, there are diverse objects for collecting and the activity of collecting becomes more personalized. Pearce (1999) points out that the process of collecting is th...
Main Authors: | , |
---|---|
Other Authors: | |
Format: | Others |
Language: | zh-TW |
Published: |
2005
|
Online Access: | http://ndltd.ncl.edu.tw/handle/57497744185638328645 |
id |
ndltd-TW-093NHLTC616011 |
---|---|
record_format |
oai_dc |
spelling |
ndltd-TW-093NHLTC6160112015-10-13T13:01:04Z http://ndltd.ncl.edu.tw/handle/57497744185638328645 The Meaning-making and Collecting Process of Art Learners :From Experiences of Postgraduates at Graduate Institute of Visual Arts Education at National Hualien Teacher’s College. 藝術學習者之收藏歷程與意義建構-以花蓮師範學院視覺藝術教育研究所研究生為探究對象 Shu-Fei Yu 游淑妃 碩士 國立花蓮師範學院 視覺藝術教育研究所 93 As the development of consumer culture, there are a lot of products in our daily lives. Therefore, there are diverse objects for collecting and the activity of collecting becomes more personalized. Pearce (1999) points out that the process of collecting is the process of meaning-making, which becomes personal statement projecting one’s self-image and views of the world. Grounded on the poetics of collecting by Pearce, this research focuses on the relationship between collecting and collector, and the meanings of collections to collectors. Applying qualitative methodology, this research investigates the collections, their collecting processes and meanings of five postgraduate students of Graduate Institute of Visual Arts Education at National Hualien Teacher’s College. As a postgraduate student of visual art education, I’ve found that many of my classmates have been amateur collectors for years. Their collections vary from bottles, tea pots to MacDonald toys. I also found that their collection has delicate connections with their choices of art profession, tastes and life styles. Moreover, it is from their collections that they project their vision and dream world. To them, collections should be either decorative or have value of aesthetics. Their collections, art learning process and aesthetic are dynamically interwoven. In addition, collecting has positive effects on them such as providing pleasure and helping releasing pressure of daily lives. Also collections have temporal and spatial significances documenting their important experiences and project to the future. Lastly, collections express art learners’ individuality and represent their identities. 陳佳利 2005 學位論文 ; thesis 106 zh-TW |
collection |
NDLTD |
language |
zh-TW |
format |
Others
|
sources |
NDLTD |
description |
碩士 === 國立花蓮師範學院 === 視覺藝術教育研究所 === 93 === As the development of consumer culture, there are a lot of products in our daily lives. Therefore, there are diverse objects for collecting and the activity of collecting becomes more personalized. Pearce (1999) points out that the process of collecting is the process of meaning-making, which becomes personal statement projecting one’s self-image and views of the world. Grounded on the poetics of collecting by Pearce, this research focuses on the relationship between collecting and collector, and the meanings of collections to collectors. Applying qualitative methodology, this research investigates the collections, their collecting processes and meanings of five postgraduate students of Graduate Institute of Visual Arts Education at National Hualien Teacher’s College.
As a postgraduate student of visual art education, I’ve found that many of my classmates have been amateur collectors for years. Their collections vary from bottles, tea pots to MacDonald toys. I also found that their collection has delicate connections with their choices of art profession, tastes and life styles. Moreover, it is from their collections that they project their vision and dream world. To them, collections should be either decorative or have value of aesthetics. Their collections, art learning process and aesthetic are dynamically interwoven. In addition, collecting has positive effects on them such as providing pleasure and helping releasing pressure of daily lives. Also collections have temporal and spatial significances documenting their important experiences and project to the future. Lastly, collections express art learners’ individuality and represent their identities.
|
author2 |
陳佳利 |
author_facet |
陳佳利 Shu-Fei Yu 游淑妃 |
author |
Shu-Fei Yu 游淑妃 |
spellingShingle |
Shu-Fei Yu 游淑妃 The Meaning-making and Collecting Process of Art Learners :From Experiences of Postgraduates at Graduate Institute of Visual Arts Education at National Hualien Teacher’s College. |
author_sort |
Shu-Fei Yu |
title |
The Meaning-making and Collecting Process of Art Learners :From Experiences of Postgraduates at Graduate Institute of Visual Arts Education at National Hualien Teacher’s College. |
title_short |
The Meaning-making and Collecting Process of Art Learners :From Experiences of Postgraduates at Graduate Institute of Visual Arts Education at National Hualien Teacher’s College. |
title_full |
The Meaning-making and Collecting Process of Art Learners :From Experiences of Postgraduates at Graduate Institute of Visual Arts Education at National Hualien Teacher’s College. |
title_fullStr |
The Meaning-making and Collecting Process of Art Learners :From Experiences of Postgraduates at Graduate Institute of Visual Arts Education at National Hualien Teacher’s College. |
title_full_unstemmed |
The Meaning-making and Collecting Process of Art Learners :From Experiences of Postgraduates at Graduate Institute of Visual Arts Education at National Hualien Teacher’s College. |
title_sort |
meaning-making and collecting process of art learners :from experiences of postgraduates at graduate institute of visual arts education at national hualien teacher’s college. |
publishDate |
2005 |
url |
http://ndltd.ncl.edu.tw/handle/57497744185638328645 |
work_keys_str_mv |
AT shufeiyu themeaningmakingandcollectingprocessofartlearnersfromexperiencesofpostgraduatesatgraduateinstituteofvisualartseducationatnationalhualienteacherscollege AT yóushūfēi themeaningmakingandcollectingprocessofartlearnersfromexperiencesofpostgraduatesatgraduateinstituteofvisualartseducationatnationalhualienteacherscollege AT shufeiyu yìshùxuéxízhězhīshōucánglìchéngyǔyìyìjiàngòuyǐhuāliánshīfànxuéyuànshìjuéyìshùjiàoyùyánjiūsuǒyánjiūshēngwèitànjiūduìxiàng AT yóushūfēi yìshùxuéxízhězhīshōucánglìchéngyǔyìyìjiàngòuyǐhuāliánshīfànxuéyuànshìjuéyìshùjiàoyùyánjiūsuǒyánjiūshēngwèitànjiūduìxiàng AT shufeiyu meaningmakingandcollectingprocessofartlearnersfromexperiencesofpostgraduatesatgraduateinstituteofvisualartseducationatnationalhualienteacherscollege AT yóushūfēi meaningmakingandcollectingprocessofartlearnersfromexperiencesofpostgraduatesatgraduateinstituteofvisualartseducationatnationalhualienteacherscollege |
_version_ |
1717729336026464256 |