| Summary: | 碩士 === 國立臺北藝術大學 === 美術創作碩士班油畫組 === 95 === The body and the vision of the experience keep flowing in my head.
Various materials; form; colour; object; field; fashion trends; ancient fairy tales.
By seeing various landscapes, films, roboforms as thought of reality aesthetics.
The core of my creation is “the imagination of the experience of adventure and the youth”. As a punk highway diary with forward belief, each attempt at material texture and capture every colour is my thinking, my exploration and even my challenge to fashion trends and modern art.
Here are some points about my essay:
Chapter 1 -- prolegomenon: It includes the ways of research, the observation, the background, the purpose, the meaning of words and the belief.
Chapter 2 -- points from observing Asia fashion images: First of all, the development of present-day images. Second, the style of violent aesthetics. Third, fluxional punk language. Fourth, fashion trends of the time are the frame of reference. This is a long way from the happiness of reading, to be convinced and then the views of a bystander. At last, being a creator who has to challenge to a contest.
Chapter 3 -- a creation picture of innermost monologue by viewing the new embodiment in Taipei. First. Reviewing the course of the author-road thought. Second, Self-portrait transformation of narrative form in content. Third, Organoleptic Gray: Where one kind of true faith is and it''s about the development condition of work according to author''s life.
Chapter 4 -- describing the spirit of punk road: It’s a kind of training about doubtful formula or information. First, the meaning of a trip: after experiencing the livelong journey solitarily, the depth perception and the reality of Punk blends into the phantom thing. Second, About Punk cowboy''s attempt: To practice how the designer pondered, and then to become a designer so as to let the thing be initiative from the passive guidance. Third, the value of line drawing: As the motion thought of direct capture, we hope to catch more about this movement''s essence.
Finally, the road sonata is the summary of thinking of the author to road creation, but expanding of esthetics elaboration. It is the conformity between Asia''s emerging image and news of the things so as to be a kind of future prospect for retransmutability by the road spirit.
GODZILLA (GODZILLA, Japanese mantic ore movie), THE WALL (Fancy Wall, 80’s illusory music movie) and also the samurai spirit which knew from Japanese literature and movie lead to the direct influence on my creation. Supposition: Images like mathematics are the natural language, and all things could be representative of all available images. Drawing a system image artistic collection may obtain the specific rule. Supposition: Fashion, Punk, Roads, also has its own respective phantom and sensation rule. Cartoonists, independent movie-making directors, Hollywood''s actors, survival dreamland, I inside the mirror , traveling….As it concerns to me, the Punk road phantom is the most sincere and direct way to unfold the strength and take the revolt.
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