A Study of Liszt’s "Mephisto Waltz, No.1"

碩士 === 國立中山大學 === 音樂學系研究所 === 96 === Liszt was distinguished as the most important virtuoso in the Romantic period of music history, whose Weimar period between 1848 and 1861 was the time of Liszt’s golden age of composition. The Mephisto Waltz No.1, finished in 1860, was based on the second episode...

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Main Authors: Man-chun Chang, 張曼君
Other Authors: Yea-Shiuh Lin
Format: Others
Language:zh-TW
Published: 2008
Online Access:http://ndltd.ncl.edu.tw/handle/964q4k
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spelling ndltd-TW-096NSYS52480132018-05-13T04:29:00Z http://ndltd.ncl.edu.tw/handle/964q4k A Study of Liszt’s "Mephisto Waltz, No.1" 李斯特《第一號梅菲斯特圓舞曲》之研究 Man-chun Chang 張曼君 碩士 國立中山大學 音樂學系研究所 96 Liszt was distinguished as the most important virtuoso in the Romantic period of music history, whose Weimar period between 1848 and 1861 was the time of Liszt’s golden age of composition. The Mephisto Waltz No.1, finished in 1860, was based on the second episode The Dance in the Village Inn from Nikolaus Lenau’s poem “Faust.” Exercising the virtuosic elements and thematic transformation technique, Liszt combined both literature and musical ideas in the Mephisto Waltz No.1 successfully. This work remains one of the most popular works on today’s piano recital repertoire ever since. This research consists of two parts. Part one discusses the characteristics of Liszt’s compositions, with a focus on how Liszt’s style was influenced by the nineteenth century virtuosity. Part two analyzes Mephisto Waltz No. 1 by exploring its historical background, formal structure, and the techniques of thematic transformation. The corresponding pianistic techniques are summarized from the various sources of scholarly suggestions as the conclusion of this analysis. Yea-Shiuh Lin 林雅敘 2008 學位論文 ; thesis 53 zh-TW
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description 碩士 === 國立中山大學 === 音樂學系研究所 === 96 === Liszt was distinguished as the most important virtuoso in the Romantic period of music history, whose Weimar period between 1848 and 1861 was the time of Liszt’s golden age of composition. The Mephisto Waltz No.1, finished in 1860, was based on the second episode The Dance in the Village Inn from Nikolaus Lenau’s poem “Faust.” Exercising the virtuosic elements and thematic transformation technique, Liszt combined both literature and musical ideas in the Mephisto Waltz No.1 successfully. This work remains one of the most popular works on today’s piano recital repertoire ever since. This research consists of two parts. Part one discusses the characteristics of Liszt’s compositions, with a focus on how Liszt’s style was influenced by the nineteenth century virtuosity. Part two analyzes Mephisto Waltz No. 1 by exploring its historical background, formal structure, and the techniques of thematic transformation. The corresponding pianistic techniques are summarized from the various sources of scholarly suggestions as the conclusion of this analysis.
author2 Yea-Shiuh Lin
author_facet Yea-Shiuh Lin
Man-chun Chang
張曼君
author Man-chun Chang
張曼君
spellingShingle Man-chun Chang
張曼君
A Study of Liszt’s "Mephisto Waltz, No.1"
author_sort Man-chun Chang
title A Study of Liszt’s "Mephisto Waltz, No.1"
title_short A Study of Liszt’s "Mephisto Waltz, No.1"
title_full A Study of Liszt’s "Mephisto Waltz, No.1"
title_fullStr A Study of Liszt’s "Mephisto Waltz, No.1"
title_full_unstemmed A Study of Liszt’s "Mephisto Waltz, No.1"
title_sort study of liszt’s "mephisto waltz, no.1"
publishDate 2008
url http://ndltd.ncl.edu.tw/handle/964q4k
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