The Skipping Rhythm:The Thesis of the Painting Works of Wan-Chen Chen
碩士 === 大葉大學 === 設計暨藝術學院碩士在職專班 === 98 === In this creative research, it demonstrates that the author applies self-confidence and emotions from Music and Dance to experience artistic feeling and passing through the visually artistic creativity of oil painting and compound material, so as to release th...
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ndltd-TW-098DYU013170072015-11-09T04:04:48Z http://ndltd.ncl.edu.tw/handle/38020314909187285192 The Skipping Rhythm:The Thesis of the Painting Works of Wan-Chen Chen 躍動的節奏:陳婉珍繪畫創作論述 Chen Wan-Chen 陳婉珍 碩士 大葉大學 設計暨藝術學院碩士在職專班 98 In this creative research, it demonstrates that the author applies self-confidence and emotions from Music and Dance to experience artistic feeling and passing through the visually artistic creativity of oil painting and compound material, so as to release the author’s greatest potential . In the research paper, there are three parts. The first part is the introduction that contains the purpose and the motives of the research, and the creation theory basis. The second part discusses the notion of the thesis, the intention of my technique and the analysis of the composition. And the final part ends with the conclusion and perspective. The research focuses on the series of my works from 2008 to 2010. Through the execution of this composition and the support of theory analysis, I try to explore the notions of Music and Dance to transform the themes of my paintings of “The Skipping Rhythm Series”. More over, through the clarification and construction of this composition, I also speculate the possibility of its extended development in the future. 賴瓊琦 2010 學位論文 ; thesis 75 zh-TW |
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碩士 === 大葉大學 === 設計暨藝術學院碩士在職專班 === 98 === In this creative research, it demonstrates that the author applies self-confidence and emotions from Music and Dance to experience artistic feeling and passing through the visually artistic creativity of oil painting and compound material, so as to release the author’s greatest potential .
In the research paper, there are three parts. The first part is the introduction that contains the purpose and the motives of the research, and the creation theory basis. The second part discusses the notion of the thesis, the intention of my technique and the analysis of the composition. And the final part ends with the conclusion and perspective. The research focuses on the series of my works from 2008 to 2010. Through the execution of this composition and the support of theory analysis, I try to explore the notions of Music and Dance to transform the themes of my paintings of “The Skipping Rhythm Series”. More over, through the clarification and construction of this composition, I also speculate the possibility of its extended development in the future.
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author2 |
賴瓊琦 |
author_facet |
賴瓊琦 Chen Wan-Chen 陳婉珍 |
author |
Chen Wan-Chen 陳婉珍 |
spellingShingle |
Chen Wan-Chen 陳婉珍 The Skipping Rhythm:The Thesis of the Painting Works of Wan-Chen Chen |
author_sort |
Chen Wan-Chen |
title |
The Skipping Rhythm:The Thesis of the Painting Works of Wan-Chen Chen |
title_short |
The Skipping Rhythm:The Thesis of the Painting Works of Wan-Chen Chen |
title_full |
The Skipping Rhythm:The Thesis of the Painting Works of Wan-Chen Chen |
title_fullStr |
The Skipping Rhythm:The Thesis of the Painting Works of Wan-Chen Chen |
title_full_unstemmed |
The Skipping Rhythm:The Thesis of the Painting Works of Wan-Chen Chen |
title_sort |
skipping rhythm:the thesis of the painting works of wan-chen chen |
publishDate |
2010 |
url |
http://ndltd.ncl.edu.tw/handle/38020314909187285192 |
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