Century Ultimatum－The series of Taiwan—The creation discourse of composite materials and painting by Chu Su-Li

• Main Author: 朱素麗
• Other Authors: 張全成
• Format: Others
• Language: zh-TW
• Published: 2009
• Online Access: http://ndltd.ncl.edu.tw/handle/46948947260695014760

碩士 === 國立新竹教育大學 === 人資處造形藝術碩士專班 === 98 === Abstract The popularity of post-capitalization led economic activities move toward globalization. The advancement of technology, the changes of environment and human consumption behavior change, many countries gradually developed his own economic system .A huge economic system covers all levels, the management models and ideas of enterprise and collectivize, making economic, political and socio-cultural is inextricably linked. In this culture of environmental conditions, Taiwan's own special political and cultural background developed a different type of postmodern culture of consumption. In the present, many Taiwanese pursue economic prosperity and personal epicurean, for a long time relative to the environment and weakness of the social role whereas became the consumer object as political, economic and cultural have special needs. This study is to discuss that Taiwan is trying to promote its economic prosperity and develop high-tech civilization and social integration, but under these gorgeous slogans, the community absurd out all kinds of weird phenomena as well as consumer culture, researcher try to explore the meaning and influence as the key issues. Using researcher’s creations during 2008 to 2009 as the main body, through the cultural logic of late capitalism、postmodern and symbol analysis, deconstruct the phenomenon of modern Taiwan social culture and symbol consumption, accompanied related art theory, then combined the impact that disadvantaged life brings to us with researcher’s experience in life, through the process of continuing perception and gradually transformed it into your own artistic creation style, and resonate and links to researchers artistic creations. This study divided into "downtown fairy tales"、"mystified"、"story-frame" three series. "downtown fairy tales" discussed the absurd phenomenon of modern social consumer culture, "mystified" series discuss those outputs produced by Taiwan’s absurd system; "story-frame" series discuss how Taiwan politics have influenced social environment. Take this creation to find Taiwan’s social disorder, and then give special consideration to those disadvantaged, expect to be able to do as a kind of self-examination, try to discuss what are the core values of social culture? Finally, bring out peoples enthusiastic for caring others. My works try to express my thoughts through the symbol of the manifestation of metaphor and practices, roaming between figurative and semi- figurative, by means of this, researcher want to convey reserved but profound concerns to the island.