| Summary: | 碩士 === 國立屏東教育大學 === 音樂學系 === 98 === This thesis consists of two parts, the performance recital and the solo recital respectively. The program and the program notes are included in both parts.
There are three pieces in the performance recital. The first one is Sonata for Violin and Piano in D Major, Op. 1 No. 13 by G. F. Händel, an accessible piece of four-movements, which is based on chords and scales as compositional material. The second one is Sonata for Violin and Piano in e minor, K. 304 by W. A. Mozart, a dramatic piece with two contrasting themes. The third one is Sonata for Violin and Piano in d minor, Op. 75 by C. Saint-Saëns. It is based on intervals of the third for chords and scales as the fundamental material, and has rich harmonic color changes.
The solo recital consists of four compositions. The first composition is English Suite III in g minor, BWV 808 by J. S. Bach, a typical baroque suite, which includes Prélude, Allemande, Courante, Sarabande, Gavotte and Gigue. The second composition is Impromptu Op. 90, D. 899 No. 4 in A Flat Major by F. Schubert, an improvisational piece which uses the broken chords and interval of the second as basic material. The third composition is Sonatine by M. Ravel, a neo-classical piece which uses interval of the fourth and modal scale for its’ main theme. The fourth composition is Piano Sonata "Quasi una Fantasia" No. 13 in E flat major, Op. 27, No. 1 by L. V. Beethoven, a fantasy with four movements, which uses chords, scales, and intervals of the second as basic material.
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