Research on Lion God Club of Liuchia Hsiang, Tainan County
碩士 === 國立臺南大學 === 體育學系教學碩士班 === 98 === The red-faced lion troupe of Lion God Club is a local folklore of Liuchia Hsiang, which is also an active troupe often seen on local temple festivals. It is also a necessary vanguard during the temple tour activity that not only has the lion dance performance,...
Main Authors: | , |
---|---|
Other Authors: | |
Format: | Others |
Language: | zh-TW |
Published: |
2010
|
Online Access: | http://ndltd.ncl.edu.tw/handle/78379898708836899226 |
id |
ndltd-TW-098NTNT5567024 |
---|---|
record_format |
oai_dc |
spelling |
ndltd-TW-098NTNT55670242015-10-13T18:35:35Z http://ndltd.ncl.edu.tw/handle/78379898708836899226 Research on Lion God Club of Liuchia Hsiang, Tainan County 台南六甲鄉獅爺會之研究 Ya-yun Chu 朱雅韻 碩士 國立臺南大學 體育學系教學碩士班 98 The red-faced lion troupe of Lion God Club is a local folklore of Liuchia Hsiang, which is also an active troupe often seen on local temple festivals. It is also a necessary vanguard during the temple tour activity that not only has the lion dance performance, but also presents the martial art parade similar to Sung-Chiang Parade, which has the function of exorcism and ridden of evil and protection of people and defense of the local security. Those are the factors that motivated the research with the following purpose: (1) To investigate the history and origin of the lion troupe; (2) To investigate the history and origin of the red-faced lion troupe of Lion God Club of Liuchia Hsiang; (3) To investigate the organization and operation of the red-faced lion troupe of Lion God Club of Liuchia Hsiang; (4) To analyze the meaning and function of the techniques of the red-faced lion troupe of Lion God Club of Liuchia Hsiang. This research has applies historical research method which is mainly based on field study and document analysis methods to come up with the following discussion: 1. The development condition of the Chinese lion dance: The official record of Chinese lion dance was traced back to Wei and Jin Dynasties, which has been deep into the general public during the Song Dynasty. The lion dance has been closely connected with folklore activity of the New Year festivals ever since Ming Dynasty. Moreover, the lion dance has combined with the martial art after Ching Dynasty to become a popular civil sports activity that shows the national specialty and characteristics. 2. The fighting for water and land have often happened in Taiwan during Ching dynasty especially at the land reclamation period, sometimes it even caused iii gang fighting. In order to defend the local security, people organized different troupes such as: Sung-Chiang Parade or Lion Troupe for the purpose of self defense. 3. According to the retold stories of the seniors and the document records, the red-faced lion troupe of Lion God Club was a troupe organization of martial art defense function. It was said it probably has borne the local defense duty ever since the end of Ming Dynasty and beginning of Ching Dynasty and has more than three hundred years of history up to now. 4. From the features of the weapons (Chia-Shih) and costumes as well as the troupe formation, one may see it has fully reflected the living style, religious blessing and local culture characteristics of our ancient agricultural society. Along with the evolution of time, it has the function to protect people and safeguard the home town, to get rid of the evil spirits and guarantee the safety of the land, to give people peace of mind, to bring the unification, to strengthen up the body, to join the force of the local people, to pass on the culture specialty, etc. Tsung-hsin Tsai 蔡宗信 2010 學位論文 ; thesis 215 zh-TW |
collection |
NDLTD |
language |
zh-TW |
format |
Others
|
sources |
NDLTD |
description |
碩士 === 國立臺南大學 === 體育學系教學碩士班 === 98 === The red-faced lion troupe of Lion God Club is a local folklore of Liuchia Hsiang,
which is also an active troupe often seen on local temple festivals. It is also a
necessary vanguard during the temple tour activity that not only has the lion
dance performance, but also presents the martial art parade similar to
Sung-Chiang Parade, which has the function of exorcism and ridden of evil and
protection of people and defense of the local security. Those are the factors that
motivated the research with the following purpose:
(1) To investigate the history and origin of the lion troupe;
(2) To investigate the history and origin of the red-faced lion troupe of Lion God
Club of Liuchia Hsiang;
(3) To investigate the organization and operation of the red-faced lion troupe of
Lion God Club of Liuchia Hsiang;
(4) To analyze the meaning and function of the techniques of the red-faced lion
troupe of Lion God Club of Liuchia Hsiang.
This research has applies historical research method which is mainly based on
field study and document analysis methods to come up with the following
discussion:
1. The development condition of the Chinese lion dance: The official record of
Chinese lion dance was traced back to Wei and Jin Dynasties, which has been
deep into the general public during the Song Dynasty. The lion dance has
been closely connected with folklore activity of the New Year festivals ever
since Ming Dynasty. Moreover, the lion dance has combined with the martial
art after Ching Dynasty to become a popular civil sports activity that shows the
national specialty and characteristics.
2. The fighting for water and land have often happened in Taiwan during Ching
dynasty especially at the land reclamation period, sometimes it even caused
iii
gang fighting. In order to defend the local security, people organized different
troupes such as: Sung-Chiang Parade or Lion Troupe for the purpose of self
defense.
3. According to the retold stories of the seniors and the document records, the
red-faced lion troupe of Lion God Club was a troupe organization of martial
art defense function. It was said it probably has borne the local defense duty
ever since the end of Ming Dynasty and beginning of Ching Dynasty and has
more than three hundred years of history up to now.
4. From the features of the weapons (Chia-Shih) and costumes as well as the
troupe formation, one may see it has fully reflected the living style, religious
blessing and local culture characteristics of our ancient agricultural society.
Along with the evolution of time, it has the function to protect people and
safeguard the home town, to get rid of the evil spirits and guarantee the safety
of the land, to give people peace of mind, to bring the unification, to strengthen
up the body, to join the force of the local people, to pass on the culture
specialty, etc.
|
author2 |
Tsung-hsin Tsai |
author_facet |
Tsung-hsin Tsai Ya-yun Chu 朱雅韻 |
author |
Ya-yun Chu 朱雅韻 |
spellingShingle |
Ya-yun Chu 朱雅韻 Research on Lion God Club of Liuchia Hsiang, Tainan County |
author_sort |
Ya-yun Chu |
title |
Research on Lion God Club of Liuchia Hsiang, Tainan County |
title_short |
Research on Lion God Club of Liuchia Hsiang, Tainan County |
title_full |
Research on Lion God Club of Liuchia Hsiang, Tainan County |
title_fullStr |
Research on Lion God Club of Liuchia Hsiang, Tainan County |
title_full_unstemmed |
Research on Lion God Club of Liuchia Hsiang, Tainan County |
title_sort |
research on lion god club of liuchia hsiang, tainan county |
publishDate |
2010 |
url |
http://ndltd.ncl.edu.tw/handle/78379898708836899226 |
work_keys_str_mv |
AT yayunchu researchonliongodclubofliuchiahsiangtainancounty AT zhūyǎyùn researchonliongodclubofliuchiahsiangtainancounty AT yayunchu táinánliùjiǎxiāngshīyéhuìzhīyánjiū AT zhūyǎyùn táinánliùjiǎxiāngshīyéhuìzhīyánjiū |
_version_ |
1718034905949011968 |