A Modernist Film-maker in postmodern Era—Michael Haneke

• Main Authors: Chang-Shun Liao, 廖昶舜
• Other Authors: Gene-Fon Liao
• Format: Others
• Language: zh-TW
• Published: 2010
• Online Access: http://ndltd.ncl.edu.tw/handle/14365748242890926292

碩士 === 國立臺灣藝術大學 === 電影學系 === 98 === Auteur theory is the traditional study in the domain of cinema studies. Movie is not only the important entertainment media source but it also expresses the deep concerned about the people and the social. The most important part of being an outstanding director is to notice the change of current social atmosphere, find out the problem, use them as the main idea in film making and try to get resonance from the audiences. The final goal is to encourage the audiences to pay more attention to the societies. Michael Haneke always make his films this way. The works Benny’s Video and Hidden are all talking about the relationship between parents and their children; then 71 Fragments of a Chronology of Chance and Funny Games criticize the social system. Recently, the last movie The white ribbon reflects the darkness of the human nature. This thesis tries to analyze Michael Haneke’s eleven films on his postmodernism approach in aesthetic practice, and hope can understand the European movie master more.