Taiwan aborigines hundred-pacer totem into elements of clothing with "Paiwan" as an example

• Main Authors: Yang, Yi-chieh, 楊依潔
• Other Authors: Lin, Su-hui
• Format: Others
• Language: zh-TW
• Published: 2013
• Online Access: http://ndltd.ncl.edu.tw/handle/03629718717935038232

碩士 === 國立臺灣師範大學 === 圖文傳播學系 === 101 === As a part of the Austronesian culture, Taiwan aboriginal culture is very unique and rich, and showing human adaptation to the environment, the creativity of the crowd interaction and other aspects. The important element of Taiwan aboriginal culture is none other than the primitive art - "Totem". That being ruled by Qing Dynasty, Japan, Kuomintang Government, not only affected Taiwan aborigines’ economy, society, customs, beliefs, but also transformed its deep cultural connotation and generated a new look. In other words, aboriginal totems are not motionless, especially the hundred-pacer viper, the symbol of patron saint, whose inner meaning and outer appearance may very. The traditional way of life, the world of myth, tribal figures are where aboriginal artists drawing from. They represent the authenticity from different cultures, and with totem design, they tell the story of their tribes to the world. Hundred-pacer totems are presented by a variety of forms, in addition to artistic value, but also contain different graphical communication definition. The implications through Panofsky (Erwin Panofsky) proposed Principles image to view it its pictorial language. Patron saint of the hundred from behind the myths and legends of various ethnic groups, which translates into a totem to symbolize the various ethnic groups, but the myth can not be explained solely, but to put them in the "distortion" of the mythical group relationship is explained. That is, the hundred-totem though because the creators of design inspiration, but there are a variety of different aesthetic presentation, but the basic symbolism and significance of the convention is not very different, therefore, to review "mythology" literature is necessary. This paper focuses on the totem Paiwan hundred-image analysis, due to the traditional aboriginal totem often presented in their clothing, and in recent years, increasingly important cultural and creative industries, "clothing" as one of the more universal, the most commonly used being discussed in an industry, so the researcher wants to explore the hundred-totem clothing elements into the course. Firstly, collecting literatures from mythology and iconography principles to explain the hundred-pace totems, and further by viewing the analysis results of interviews about hundred-path totems, in order to understand the hundred-path totems spread into garment elements process. The results of this study can be used as a reference for those who interested in promoting traditional aboriginal art and promote its cultural and creativity industries.