| Summary: | 博士 === 國立中興大學 === 中國文學系所 === 102 === The research processes Tai-Sui beliefs and worship, the two cores to explore into "tracing the history of Tai-Sui faith" and "the features of Tai-Sui belief in contemporary Taiwan". Through the literature probing and fieldwork to comprehensively explore, sort out the characteristics of localization and the origins of the contemporary Tai-Sui beliefs. And there are three structures of this paper:
The second chapter, the research constructed the four development stages of Tai-Sui beliefs and the characteristics, before the Song Dynasty. Before the era of Emperor Wu of Han, the Jupiter and Tai-Sui gradually differentiate. Until the Xinmang Dynasty, the divination of Tai-Sui formed. After the Eastern Han Dynasty, there was the movement to unify the name of Tai-Sui. At beginning of Song Dynasty, the divination of Tai-Sui was already quite mature, and derived the new proposition a new proposition to the Land in the Tai-Sui. These characteristics are still widely visible.
The third chapter, this study inspects Tai-Sui beliefs derived the four new propositions from the Song Dynasty, and impact on future generations: sort out at the occasion of the Northern and Southern Song Dynasty, the Zodiac and Tai-Sui were associated by the divination of Tai-Sui, and further derived sixty Tai-Sui''s new proposition. Indicate the Statement of "Shun-Star worship Tai-Sui", that is according to the evolution in Jiangsu and Zhejiang the custom of Star worship. Eleven Yao Tai Sui Tang, which was built in the Southern Song Dynasty official at Hangzhou Wushan, it resulted to the nationwide popular customs of greeting Tai-Sui at the beginning of spring. Jing Chu priests of Song Dynasty, he proposed the first personified Yanjiao Tai-Sui, its image is inherited from the Ketu of Eleven Yao.
The fourth chapter to the seventh, the study through the fieldwork to know the commonality of the Tai-Sui worship space in Taiwan''s temple, on the one hand, today''s Tai-Sui beliefs inherited inherent tradition; on the other hand, it learns the new paradigm of Baiyun Temple in Beijing. Among them, the main characteristic is that the Dou-lau in the center and sixty Tai-Sui surrounded. In addition, the study sorts out the four genres of the sixty Tai-Sui''s names, it speculates the genre was derived from the Fujian in mid-Ming Dynasty. Finally, this study uses the comparative Folklore to refer to the analysis the Taiwan and Hong Kong Tai-Sui worship, and then proposes the several indicators of " contemporary significance of the pacifying Tai-Sui".
|
|---|
