No Longer Dependent on the Wind - Reflections over creations of Chiu, Yu-hsin

• Main Authors: Chiu, Yu-hsin, 邱于欣
• Other Authors: Chin-ming Lee
• Format: Others
• Language: zh-TW
• Published: 2014
• Online Access: http://ndltd.ncl.edu.tw/handle/vjfqrm

碩士 === 國立高雄師範大學 === 美術學系 === 102 === The objective of this thesis is to investigate conceptual changes of the artistic creation process of the author from youth stage to the present (2013). Throughout the thesis deep reflection is made, and the unique life philosophy from to &;lt;Enjoyment in Untroubled Ease> of "Zhuangzi" is applied to tomography the life track of the author and her artistic creation. The first chapter focuses on the core concept of "Taoism" and thoughts of Laozhuang and the realm of inside and outside implied in &;lt; Enjoyment in Untroubled Ease > of Zhuangzi. The second and third chapters enumerate the creation concepts before entering graduate school, in contrast to the realms of life, such that "self-trapped", "values not established" and "waiting for wind" of &;lt; Enjoyment in Untroubled Ease >. The fourth chapter focuses on humanistic thoughts within the creations of the current series of "without dependence". Through the concepts of landscapes themselves, explore the artist's creation processes and the ponderings behind. The works of romantic German painter Caspar David Friedrich (1774-1840) are taken as examples, to compare the relationship between nature and mankind by the viewpoints from differentiating East and West, classic and modern. In this chapter, the original intentions of the four paintings in "without dependence" series come from the caring current environmental crisis and that we should return to "cosmic harmony" of Laozhuang’s Thoughts. Everything is cycled in endless circulations; balance, harmony and regularity are achieved in constantly changing. Once this state of balance and harmony is destroyed, it is difficult for humans to stay out of lines and keep not affected. At last, in the final conclusive chapter, perspectives for us to uphold the spirits of courage and independence to face the modern society, institution and even hegemony, to have a more positive attitude to involve in status quo and public sections, to reveal and criticize the unreasonables. Look forward to foster ourselves with wisdoms from Zhuangzi’s harmony, the unrestraint and vitality of "in the square in the middle reaches of the parties themselves". On the one hand maintain leisurely ease of mind, on the other hand as Paoding’s genius, have a mind to freely access to the humanistic universe.