| Summary: | 碩士 === 玄奘大學 === 視覺傳達設計學系碩士班 === 103 === Hsinchu was once the beautiful homeland of the Taokas, one of the tribes of Taiwanese Pingpu aborigines. In fact, Hsinchu's old name "Chuchien" is a Taokas word that means “seashore”. Hsinchu area long before the Han Chinese came, is inhabited by indigenous Pingpu Taokas, Saisiyat, Atayal. Hsinchu terrain has more mountains, hills and less plain. Hsinchu Plain is alluvial from Fengshan River and Toucian River. The range includes all Jubei City, Sinpu town, KuanHsi Town, Qionglin Town, Zhudong Town, Hengshan Town of Hsinchu County and northern half of Hsinchu City. The region's terrain is flat, water is sufficient, as the county's major agricultural production base, is also the location of settlements and commercial center. The Hakka population ratio of this area is up to about 85% now. My hometown is on this plain.
Family is the source of life, and the space of life-sustaining, generation to generation, blood legend. After grew-up, the brothers got married one after another, having children, and then the number of people multiplied. By the impact the tradition of collective society, there are many collective products generated. Those products are original, spontaneous, local, regional, historical continuity and retention. And therefore, I had tried to demonstrate the rustic, simple, honest culture and my personal feelings in my oil painting since I was young. This paper combined & demonstrated the creation of life experience, media material, techniques, and personal style. I hope this can benefit all the people which are interested in the culture of my hometown.
In this study, I started from the literature review to understand the relevant relationship of architecture style and social culture. The case studies collated the shape of painting works, painting color, painting style and painting forms. Therefore benefit the creators to use the creative concept to draw paintings and products.
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