| Summary: | 碩士 === 南華大學 === 視覺與媒體藝術學系 === 103 === In the chapter 1 as an introduction I would like to explain my motions, purposes, methods, intention of the problem and the concepts in my paper. It is a study on the phenomena of apparel mashup appeared under an intertwined of cultural diversity and on the source of the contemporary fashion apparel mashup in terms of the randomness of dadaism and superrealism as a beginning of the major concept in my study.
The chapter 2 is a research on the intertwined culture between Hu - Han and its apparel mashup. This chapter is parted into two, the first concerns a study on the other cultures and the dresses in Tang dynasty and a comparative study on the differences between Hu Han dresses; the second concerns the dresses of XiXia outside from Chinese dynasty and the differences between both. The chapter 3 concerns heterogeneity between the east and west dresses.
This chapter is parted into three, the first concerns the wedding ceremony and the east and west dresses, specially wedding dresses in the 20th century of Taiwan in a comparative study of the intertwined dresses between the east and west. The second concerns the funeral ceremony and the differences between the east and west dresses. The third concerns about the religious festival and the east and west dresses, the east example is the third Prince Edward in Daoism, the west example is the dresses Christian.
The chapter 4 composes the intertwined of the modern fashion dresses with fine arts. The first part of this chapter is a study on the contemporary intertwined in terms of dadaism and superrealism. The second part concerns the ideas and the dresses in traditional other culture by means of the composition of the ideas in contrast of traditional dresses in order to understand the historical revolution of the ideas. The third is the composition of the fashion intertwined in contemporary by the different styles or the intertwined from dresses in different material.
The chapter 5 is a study on the retro –fashion. Its first part concerns the retro – fashion and the old dresses as a new style, and explores the retro – fashion dresses in different epochs and the meanings by changes and the removal and increase in terms of the old dresses as a new style. In its second part I would like to introduce to the globalization and contemporary dresses, to talk to the possible change dresses in a catalytic under the contemporary globalization between different groups in societies.
The chapter 6 is a conclusion in which I would like to predict the fashion in the future: a prediction of the possible direction and development of the dresses in the future. According to my study dresses for people are always necessary, by the changes of epoches and the intertwined of cultures the phenomena of intertwined and the change of meanings happen in dresses and it can offer a crucial reference of the development and trend in the future.
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