| Summary: | 碩士 === 國立臺灣師範大學 === 美術學系 === 104 === Abstract
Chinese traditional ink painting, self-contained world in the field of art; With the Chinese people since ancient times , "personal law, the law of the heavens, France Road, Imitation of Nature" respect for the world, And respect for the natural expression of the mood, and create a link between man and nature is a spiritual shine, smells the same, the relationship between philosophy of Heaven.
Myth, after entering the rational era is no longer a record of the history of the ancient fable, but continue to create new world of the imagination to break free of the shackles of reason and logic, people form a new binding mode through the development of the arts, In order to convey important things and messages and reminders on or thinking about life; at the same time bring a new world of disturbing insights. So why the myth is true because it forces us to mind the reform brought new hope.
Go into the development of art from the artistic context of the origin of each era of artists in addition to the art of perseverance, Jie a more innovative mission. Shi Tao a saying: "When the ink with the times", it should go to the creation of modern ink, ink rehabilitation and reconstruction in accordance with the modern concept, ideas, values, philosophy, science, and other techniques.
Author and spiritual elements of Chinese ink as the cornerstone of the integration of modern ink forms and techniques, the use of different materials media experiments, the development of alternative Cunfafusion creation, To symbolize the "plausible", the metaphor and other techniques, so that there are new forms on the surface of ink and creation, and thereby urgent discussion of modern ecological survival.
Keywords: myth, nature, modern ink
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