The Analysis and Interpretation of Guan Naizhong’s Erhu Concerto “Poetic Hymn of the Nature－In Memory of Liu Tianhua”

• Main Authors: CHANG, FENG-YI, 張鳳宜
• Other Authors: LIN,YU-TING
• Format: Others
• Language: zh-TW
• Published: 2016
• Online Access: http://ndltd.ncl.edu.tw/handle/c8wtxk

碩士 === 國立臺灣藝術大學 === 中國音樂學系 === 104 === Erhu Concerto " Poetic Hymn of the Nature－In Memory of Liu Tianhua " is composed by Guan Naizhong in 2015. Based on materials from four Erhu pieces by Liu Tianhua, which are " Wonderful Night " , " Sing in the Disease ", "Sound of Emptiness" and "The Way to Brightness", the concerto is an whole new composition. Liu Tianhua's concrete will of encouraging Chinese music 在這裡鍵入方程式。development and his efforts on Erhu raises the author's curiosity. Through the research, the author want to figure out what the composer made to the four classical works. And what factors made the classical element a wholly distinguish appearance. The research adapts analysis method, interview method, and interpretation method. Through the understanding of the composer's life and his composing path, the author conducts detailed research on the piece, which including form, motives, and harmony. The ultimate goal of the research is to addresses the author's interpretation thought of the concerto, both physically and psychologically. The research result shows that the concerto used melody from the four pieces and transfer them into the developing motives. Materials from " Wonderful Night " and " Sing in the Disease " play the more important roles. In the interpretation chapter, the author targeted at the use of two hands, and the advance playing skills used in the concerto. The huge different between works by Liu Tianhua and Guan Naizhong presents the influences of historical factor on composing. Through the research, the author hopes to provide a referable information, and further advocate the the importance of combination between classical and modern composing idea.