The oil paintings series of the “Geographical landscape, Scenery, People, Traditional Culture and Industry” in general Gang Shan area
碩士 === 東方設計學院 === 文化創意設計研究所 === 104 === Taiwan is encountering great problems about population aging. There are many local industries which most remote villages live by going downwards because of the lack of competitiveness. How to promote the local industrial growth, keep precious traditional cultu...
Main Authors: | , |
---|---|
Other Authors: | |
Format: | Others |
Language: | zh-TW |
Published: |
2016
|
Online Access: | http://ndltd.ncl.edu.tw/handle/73593544789279321359 |
id |
ndltd-TW-104TFDU0785035 |
---|---|
record_format |
oai_dc |
spelling |
ndltd-TW-104TFDU07850352017-02-04T04:13:30Z http://ndltd.ncl.edu.tw/handle/73593544789279321359 The oil paintings series of the “Geographical landscape, Scenery, People, Traditional Culture and Industry” in general Gang Shan area 泛岡山地區「地、景、人、文、產」 系列油畫創作 Wei-Yu Su 蘇威獄 碩士 東方設計學院 文化創意設計研究所 104 Taiwan is encountering great problems about population aging. There are many local industries which most remote villages live by going downwards because of the lack of competitiveness. How to promote the local industrial growth, keep precious traditional culture and local distinctive industries is one of the very important issues in local and regional development. The creation is expected to perform the “Geographical landscape, Scenery , People, Traditional Culture and Industry ” in general Gang Shan area as the oil paintings theme. We will analyze the “Geographical landscape, Scenery , People, Traditional Culture and Industry ” in general Gang Shan area and inspect community culture, local industrial ,tourism and traditional skills in general Gang Shan area with bibliography study. To arouse people’s attention to traditional culture and local industries, we will also adopt direct and indirect drawing method, combining artistic aesthetics with Impressionistic style to do a series local culture concerning creations. Hometown is the place we grow up. For this creation, the general Gang Shan area has its own special emotional attachment and meanings. Native soil is the soul of local culture creation and Tradition is just the totem of creation. This oil painting integrates the traditional painting spirit with the new to accentuate the abundant creative connotation of the “Geographical landscape, Scenery , People, Traditional Culture and Industry ” in general Gang Shan area.With adding the experience in modern aesthetics, every oil painting creation is recording the distinguishing features of the local “Geographical landscape, Scenery , People, Traditional Culture and Industry ”. Through the explanation of the pictures, we share the expectation of our hometown. When the beauty of the pictures is deeply rooted in people’s minds, we can further disseminate the important meanings of passing down the local characteristics and preserving the traditional industries in this novelty seeking new era. Ying-Cheng Su Chia-Hui Huang 蘇英正 黃佳慧 2016 學位論文 ; thesis 104 zh-TW |
collection |
NDLTD |
language |
zh-TW |
format |
Others
|
sources |
NDLTD |
description |
碩士 === 東方設計學院 === 文化創意設計研究所 === 104 === Taiwan is encountering great problems about population aging. There are many local industries which most remote villages live by going downwards because of the lack of competitiveness. How to promote the local industrial growth, keep precious traditional culture and local distinctive industries is one of the very important issues in local and regional development.
The creation is expected to perform the “Geographical landscape, Scenery , People, Traditional Culture and Industry ” in general Gang Shan area as the oil paintings theme. We will analyze the “Geographical landscape, Scenery , People, Traditional Culture and Industry ” in general Gang Shan area and inspect community culture, local industrial ,tourism and traditional skills in general Gang Shan area with bibliography study. To arouse people’s attention to traditional culture and local industries, we will also adopt direct and indirect drawing method, combining artistic aesthetics with Impressionistic style to do a series local culture concerning creations.
Hometown is the place we grow up. For this creation, the general Gang Shan area has its own special emotional attachment and meanings. Native soil is the soul of local culture creation and Tradition is just the totem of creation. This oil painting integrates the traditional painting spirit with the new to accentuate the abundant creative connotation of the “Geographical landscape, Scenery , People, Traditional Culture and Industry ” in general Gang Shan area.With adding the experience in modern aesthetics, every oil painting creation is recording the distinguishing features of the local “Geographical landscape, Scenery , People, Traditional Culture and Industry ”. Through the explanation of the pictures, we share the expectation of our hometown. When the beauty of the pictures is deeply rooted in people’s minds, we can further disseminate the important meanings of passing down the local characteristics and preserving the traditional industries in this novelty seeking new era.
|
author2 |
Ying-Cheng Su |
author_facet |
Ying-Cheng Su Wei-Yu Su 蘇威獄 |
author |
Wei-Yu Su 蘇威獄 |
spellingShingle |
Wei-Yu Su 蘇威獄 The oil paintings series of the “Geographical landscape, Scenery, People, Traditional Culture and Industry” in general Gang Shan area |
author_sort |
Wei-Yu Su |
title |
The oil paintings series of the “Geographical landscape, Scenery, People, Traditional Culture and Industry” in general Gang Shan area |
title_short |
The oil paintings series of the “Geographical landscape, Scenery, People, Traditional Culture and Industry” in general Gang Shan area |
title_full |
The oil paintings series of the “Geographical landscape, Scenery, People, Traditional Culture and Industry” in general Gang Shan area |
title_fullStr |
The oil paintings series of the “Geographical landscape, Scenery, People, Traditional Culture and Industry” in general Gang Shan area |
title_full_unstemmed |
The oil paintings series of the “Geographical landscape, Scenery, People, Traditional Culture and Industry” in general Gang Shan area |
title_sort |
oil paintings series of the “geographical landscape, scenery, people, traditional culture and industry” in general gang shan area |
publishDate |
2016 |
url |
http://ndltd.ncl.edu.tw/handle/73593544789279321359 |
work_keys_str_mv |
AT weiyusu theoilpaintingsseriesofthegeographicallandscapescenerypeopletraditionalcultureandindustryingeneralgangshanarea AT sūwēiyù theoilpaintingsseriesofthegeographicallandscapescenerypeopletraditionalcultureandindustryingeneralgangshanarea AT weiyusu fàngāngshāndeqūdejǐngrénwénchǎnxìlièyóuhuàchuàngzuò AT sūwēiyù fàngāngshāndeqūdejǐngrénwénchǎnxìlièyóuhuàchuàngzuò AT weiyusu oilpaintingsseriesofthegeographicallandscapescenerypeopletraditionalcultureandindustryingeneralgangshanarea AT sūwēiyù oilpaintingsseriesofthegeographicallandscapescenerypeopletraditionalcultureandindustryingeneralgangshanarea |
_version_ |
1718410855007125504 |