Singing the Ancient Paiwan Songs as the Sourcing Technique: A Case Study of the Paiwan Singer Resres Ljivuljivuan

碩士 === 國立臺北藝術大學 === 戲劇學系碩士班 === 105 === Abstract This work aims to illuminate how the Paiwan singer “Resres Ljivuljivuan” sings the ancient Paiwan songs as the sourcing techniques. Singing ancient traditional songs is one of Method of Physical actions (MPA), created by Jerzy Grotwoski, the influent...

Full description

Bibliographic Details
Main Authors: Yi-An Chen, 陳羿安
Other Authors: Minder Chung
Format: Others
Language:zh-TW
Published: 2017
Online Access:http://ndltd.ncl.edu.tw/handle/cs8bjf
id ndltd-TW-105TNUA5510001
record_format oai_dc
spelling ndltd-TW-105TNUA55100012019-05-15T23:17:16Z http://ndltd.ncl.edu.tw/handle/cs8bjf Singing the Ancient Paiwan Songs as the Sourcing Technique: A Case Study of the Paiwan Singer Resres Ljivuljivuan 芮斯的排灣古調吟唱溯源技術研究 Yi-An Chen 陳羿安 碩士 國立臺北藝術大學 戲劇學系碩士班 105 Abstract This work aims to illuminate how the Paiwan singer “Resres Ljivuljivuan” sings the ancient Paiwan songs as the sourcing techniques. Singing ancient traditional songs is one of Method of Physical actions (MPA), created by Jerzy Grotwoski, the influential Polish director of the 20thCentury, in his later period. The objectives of this research focus on how Resres Ljivuljivuan uses this MPA on the stage to work herself and achieve the “inner creative state”(also can be called the "extra-daily state"). Therefore, this work includes the singing analysis and interpretation of Resres’s first Album “RS Legend” as well as the solo pieces in her biggest musical “Miling’an Musical Theather”, which can be used to describe the music aspect of MPA. This paper also explores the influence of four factors in ancient songs, named as vowels, vocables, harmonies and structures for the transformation on performers’ inner process in evidence of the observation from the workshop held by The Work-center of Jerzy Grotowski and Thomas Richards and U-theater in July, 2015.     This work refers that the extra-daily state of Resres set up from her daily life. Day by day she keeps the moral precepts from her belief, and practices the embroidery for cultivating Samadhi. She also establishes the liminal time before the performance to accumulate the power of awareness. During the performance, she is not only influenced by the sound effect from the four factors in ancient songs, but also can practice the performing score of singing ancient songs precisely so that her affective interpretation can be transmitted by her resonance sound. Hence, she can not only achieve the inner creative state on the stage, but also trace back to the origin-- the state that a man who could precede difference, and achieve the extra-daily state of tranquility and joy. Minder Chung 鍾明德 2017 學位論文 ; thesis 144 zh-TW
collection NDLTD
language zh-TW
format Others
sources NDLTD
description 碩士 === 國立臺北藝術大學 === 戲劇學系碩士班 === 105 === Abstract This work aims to illuminate how the Paiwan singer “Resres Ljivuljivuan” sings the ancient Paiwan songs as the sourcing techniques. Singing ancient traditional songs is one of Method of Physical actions (MPA), created by Jerzy Grotwoski, the influential Polish director of the 20thCentury, in his later period. The objectives of this research focus on how Resres Ljivuljivuan uses this MPA on the stage to work herself and achieve the “inner creative state”(also can be called the "extra-daily state"). Therefore, this work includes the singing analysis and interpretation of Resres’s first Album “RS Legend” as well as the solo pieces in her biggest musical “Miling’an Musical Theather”, which can be used to describe the music aspect of MPA. This paper also explores the influence of four factors in ancient songs, named as vowels, vocables, harmonies and structures for the transformation on performers’ inner process in evidence of the observation from the workshop held by The Work-center of Jerzy Grotowski and Thomas Richards and U-theater in July, 2015.     This work refers that the extra-daily state of Resres set up from her daily life. Day by day she keeps the moral precepts from her belief, and practices the embroidery for cultivating Samadhi. She also establishes the liminal time before the performance to accumulate the power of awareness. During the performance, she is not only influenced by the sound effect from the four factors in ancient songs, but also can practice the performing score of singing ancient songs precisely so that her affective interpretation can be transmitted by her resonance sound. Hence, she can not only achieve the inner creative state on the stage, but also trace back to the origin-- the state that a man who could precede difference, and achieve the extra-daily state of tranquility and joy.
author2 Minder Chung
author_facet Minder Chung
Yi-An Chen
陳羿安
author Yi-An Chen
陳羿安
spellingShingle Yi-An Chen
陳羿安
Singing the Ancient Paiwan Songs as the Sourcing Technique: A Case Study of the Paiwan Singer Resres Ljivuljivuan
author_sort Yi-An Chen
title Singing the Ancient Paiwan Songs as the Sourcing Technique: A Case Study of the Paiwan Singer Resres Ljivuljivuan
title_short Singing the Ancient Paiwan Songs as the Sourcing Technique: A Case Study of the Paiwan Singer Resres Ljivuljivuan
title_full Singing the Ancient Paiwan Songs as the Sourcing Technique: A Case Study of the Paiwan Singer Resres Ljivuljivuan
title_fullStr Singing the Ancient Paiwan Songs as the Sourcing Technique: A Case Study of the Paiwan Singer Resres Ljivuljivuan
title_full_unstemmed Singing the Ancient Paiwan Songs as the Sourcing Technique: A Case Study of the Paiwan Singer Resres Ljivuljivuan
title_sort singing the ancient paiwan songs as the sourcing technique: a case study of the paiwan singer resres ljivuljivuan
publishDate 2017
url http://ndltd.ncl.edu.tw/handle/cs8bjf
work_keys_str_mv AT yianchen singingtheancientpaiwansongsasthesourcingtechniqueacasestudyofthepaiwansingerresresljivuljivuan
AT chényìān singingtheancientpaiwansongsasthesourcingtechniqueacasestudyofthepaiwansingerresresljivuljivuan
AT yianchen ruìsīdepáiwāngǔdiàoyínchàngsùyuánjìshùyánjiū
AT chényìān ruìsīdepáiwāngǔdiàoyínchàngsùyuánjìshùyánjiū
_version_ 1719144712978300928