Re-Line: A Discussion on the Creation of Traditional Chinese Baimiao Fine - Brushwork Painting for Classical Ladies with Mixed Media

• Main Authors: Sun, Chia-Chi, 孫佳麒
• Other Authors: Chang, Yen-Jung
• Format: Others
• Language: zh-TW
• Online Access: http://ndltd.ncl.edu.tw/handle/9e29k8

碩士 === 國立臺灣師範大學 === 圖文傳播學系 === 106 === In the creator’s painting process from elementary school to graduate institute, she has always had a keen interest in fine-brushwork painting of classical ladies, who have always aroused her awareness of sense of existence. Because of her longing for the ancient paradise, she withdraws from the reality through imagery. Therefore, the process of this creation consists mainly of traditional Chinese baimiao fine-brushwork painting, contemporary mixed media, the technology of finishing and post-printing, by which she not only imitated the paintings of contemporary painters Cai Lan, Wen Shuqiang, and Jin Dajun, but also conducted re-line drawing and re-interpretation of “Court Ladies Preparing Newly Woven Silk”, which was originally painted by Zhang Xuan and imitated by Emperor Huizong of Song Dynasty. Her aim was to understand the relationship between the drawing lines and herself through the technologies which she had learned from her department and tried to innovate. The purpose to discuss this creation is to explore the nature of creation within aesthetics and art thinking, to expound and realize the creation process of the creator, and finally reflect and discuss the issues of traditional art and its innovation. In addition, the creator hopes this creation can inspire the relevant audiences. The creator held the “Joint Exhibition of Creative Achievements: Innovation and Reinterpretation of Artistic Screening Style and Traditional Chinese Painting of Beautiful Women” at the first-floor hall of the major library of National Taiwan Normal University from May 16th to May 29th, 2018. "Re-Line", which was mentioned in her Chinese theme is a pun to "Re-Presentation", for the meaning of re-creation. The discussion of this creation raises four questions: (1) What are the impacts and enlightenments on her creation after the creator has learned art theory, aesthetics, and aesthetics of Chinese calligraphy? (2) What are the frictions in presentation caused by intersection of traditional Chinese baimiao fine-brushwork painting, contemporary mixed media, the technology of finishing and post-printing? (3) What are the creator’s psychological changes and self-talk during her creation process? (4) What are the results of the creator’s exhibition at National Taiwan Normal University and what are the viewers’ feedbacks and responses? The results of the creation have been presented in the series of works, electronic advertising materials and the feedback of exhibition in the context. The conclusions are as follows: (1) Learning and understanding the theories of Chinese art is helpful to the performance of creator’s paintings and calligraphy, while the traditional Chinese atmosphere and environment are also promoting the combination of creator’s feeling and creation. (2) The understanding and selection of material properties is the key to creating a good finished product. In addition to the need to pay attention to technical proficiency, how to clearly present traditional classical ladies by contemporary media is the main point to demonstrate the integrated effects of materials and lines. (3) There are ups and downs in the creator's psychological state during her creation, and the self-talk only occurs in the state of pause and hesitation. (4) Interaction, inspiration and reflection do occur between the works and the audiences, which can achieve the purpose of cultural preservation.