The Piano Performing Technique and Interpreta-tion on M. Balakirev''s Islamey, Opus 18

碩士 === 台南應用科技大學 === 音樂系碩士班 === 106 === 　　Mily Balakirev（1837-1910）was the founder of "The Mighty Handful" of Rus-sia. He composed Islamey, op. 18（subtitled Orientalische Fantasie）, which was high-ly influenced by Caucasus folk instruments and dance Lezginka in meter 6/8. Moreo-ver, the ori...

Full description

Bibliographic Details
Main Authors:	Ya-Wen Hsu, 徐雅雯
Other Authors:	邵婷雯
Format:	Others
Language:	zh-TW
Published:	2017
Online Access:	http://ndltd.ncl.edu.tw/handle/q27288

id	ndltd-TW-106TWCA5248001
record_format	oai_dc
spelling	ndltd-TW-106TWCA52480012019-10-24T05:19:39Z http://ndltd.ncl.edu.tw/handle/q27288 The Piano Performing Technique and Interpreta-tion on M. Balakirev''s Islamey, Opus 18 巴拉基雷夫鋼琴作品《伊斯拉美，作品18》之演奏技巧與詮釋 Ya-Wen Hsu 徐雅雯碩士台南應用科技大學音樂系碩士班 106 　　Mily Balakirev（1837-1910）was the founder of "The Mighty Handful" of Rus-sia. He composed Islamey, op. 18（subtitled Orientalische Fantasie）, which was high-ly influenced by Caucasus folk instruments and dance Lezginka in meter 6/8. Moreo-ver, the oriental melodies, folk accents, and chromatics are combined cleverly. 　　Balakirev used the diminished seventh chord for transitioning to the following tonality. In addition, modality（Hypoaeolian）occurred occasionally as well as multi-ple ostinato appearing in the composition. Islamey, op. 18 was composed in ternary form with a coda. 　　Islamey, op. 18 was influenced by F. Chopin（1810-1849）and F. Liszt (1811-1886). Repeated notes and chords in fourth, fifths and octaves build thick textured lay-ers; this is extremely technically demanding for a pianist to manage. 　　Islamey, op.18 was marked as a cornerstone piece in the nineteenth century piano literature. This thesis discusses interpretative issues on its phrasing, meter, fingering, pedaling and consecutive striking between hands. 邵婷雯 2017 學位論文 ; thesis 69 zh-TW
collection	NDLTD
language	zh-TW
format	Others
sources	NDLTD
description	碩士 === 台南應用科技大學 === 音樂系碩士班 === 106 === 　　Mily Balakirev（1837-1910）was the founder of "The Mighty Handful" of Rus-sia. He composed Islamey, op. 18（subtitled Orientalische Fantasie）, which was high-ly influenced by Caucasus folk instruments and dance Lezginka in meter 6/8. Moreo-ver, the oriental melodies, folk accents, and chromatics are combined cleverly. 　　Balakirev used the diminished seventh chord for transitioning to the following tonality. In addition, modality（Hypoaeolian）occurred occasionally as well as multi-ple ostinato appearing in the composition. Islamey, op. 18 was composed in ternary form with a coda. 　　Islamey, op. 18 was influenced by F. Chopin（1810-1849）and F. Liszt (1811-1886). Repeated notes and chords in fourth, fifths and octaves build thick textured lay-ers; this is extremely technically demanding for a pianist to manage. 　　Islamey, op.18 was marked as a cornerstone piece in the nineteenth century piano literature. This thesis discusses interpretative issues on its phrasing, meter, fingering, pedaling and consecutive striking between hands.
author2	邵婷雯
author_facet	邵婷雯 Ya-Wen Hsu 徐雅雯
author	Ya-Wen Hsu 徐雅雯
spellingShingle	Ya-Wen Hsu 徐雅雯 The Piano Performing Technique and Interpreta-tion on M. Balakirev''s Islamey, Opus 18
author_sort	Ya-Wen Hsu
title	The Piano Performing Technique and Interpreta-tion on M. Balakirev''s Islamey, Opus 18
title_short	The Piano Performing Technique and Interpreta-tion on M. Balakirev''s Islamey, Opus 18
title_full	The Piano Performing Technique and Interpreta-tion on M. Balakirev''s Islamey, Opus 18
title_fullStr	The Piano Performing Technique and Interpreta-tion on M. Balakirev''s Islamey, Opus 18
title_full_unstemmed	The Piano Performing Technique and Interpreta-tion on M. Balakirev''s Islamey, Opus 18
title_sort	piano performing technique and interpreta-tion on m. balakirev''s islamey, opus 18
publishDate	2017
url	http://ndltd.ncl.edu.tw/handle/q27288
work_keys_str_mv	AT yawenhsu thepianoperformingtechniqueandinterpretationonmbalakirevsislameyopus18 AT xúyǎwén thepianoperformingtechniqueandinterpretationonmbalakirevsislameyopus18 AT yawenhsu bālājīléifūgāngqínzuòpǐnyīsīlāměizuòpǐn18zhīyǎnzòujìqiǎoyǔquánshì AT xúyǎwén bālājīléifūgāngqínzuòpǐnyīsīlāměizuòpǐn18zhīyǎnzòujìqiǎoyǔquánshì AT yawenhsu pianoperformingtechniqueandinterpretationonmbalakirevsislameyopus18 AT xúyǎwén pianoperformingtechniqueandinterpretationonmbalakirevsislameyopus18
_version_	1719276884044283904

The Piano Performing Technique and Interpreta-tion on M. Balakirev''s Islamey, Opus 18

Similar Items