Progress in an age of rigor mortis
The Painting in Canada exhibition, held in the entrance foyer of the Candian pavilion at the Montreal World's Fair, Expo 67, was an example of the new cultural identity of a mature nation state that had emerged from its history of imperial subserviance vigorous, independent, and free. The prese...
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Language: | English |
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University of British Columbia
2010
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Online Access: | http://hdl.handle.net/2429/26540 |