Text-music relations in Richard Strauss's Im Abendrot
This thesis examines in detail the ways in which music and text relate to and condition each other in Richard Strauss's Im Abendrot (1948), the first of the Vier letzte Iieder. The first chapter consists of an analysis and interpretation of the text itself, a poem written by Joseph von Eich...
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| Language: | English |
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University of British Columbia
2012
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| Online Access: | http://hdl.handle.net/2429/42069 |