'[T]hese seemingly rival spheres constitute but one cosmos' : Constance Naden as scientist, philosopher, and poet

Through her poetry and essays Constance Naden (1858-1889) sought to create an interdisciplinary philosophy predicated upon finding unity in diversity. By providing close-readings of Naden’s poetry, essays, and unpublished notebooks, and thus considering the full breadth of her intellectual pursuits,...

Full description

Bibliographic Details
Main Author: Stainthorp, Clare Georgina
Published: University of Birmingham 2017
Subjects:
828
Online Access:https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.707644
id ndltd-bl.uk-oai-ethos.bl.uk-707644
record_format oai_dc
spelling ndltd-bl.uk-oai-ethos.bl.uk-7076442019-04-03T06:51:15Z'[T]hese seemingly rival spheres constitute but one cosmos' : Constance Naden as scientist, philosopher, and poetStainthorp, Clare Georgina2017Through her poetry and essays Constance Naden (1858-1889) sought to create an interdisciplinary philosophy predicated upon finding unity in diversity. By providing close-readings of Naden’s poetry, essays, and unpublished notebooks, and thus considering the full breadth of her intellectual pursuits, this thesis demonstrates the extent of her secular world-scheme which attempted to synthesise science, philosophy, and poetry. I begin with an intellectual biography that situates Naden’s scientific education, philosophical ideas, and poetic output in their nineteenth-century contexts. This creates a framework for understanding the trajectory of Naden’s endeavours as scientist, philosopher, and poet. The subsequent chapters demonstrate how these three strands of her life were fundamentally intertwined. Chapter Two focuses upon Naden’s engagement with scientific ideas and the scientific imagination, specifically examining the importance of light as it manifests in the study of botany, astronomy, physics, and physiology. Chapter Three turns to Naden as philosopher, teasing out the details of her childhood faith (newly demonstrated by the notebooks) and analysing the development of her relationship with the freethought movement and wider philosophical discourses. Chapter Four analyses Naden’s equivocal relationship with poetic tradition, focusing on her shifting engagement with Romanticism, and her use of the lyric ‘I’ and the comic mode.828PR English literatureUniversity of Birminghamhttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.707644http://etheses.bham.ac.uk//id/eprint/7290/Electronic Thesis or Dissertation
collection NDLTD
sources NDLTD
topic 828
PR English literature
spellingShingle 828
PR English literature
Stainthorp, Clare Georgina
'[T]hese seemingly rival spheres constitute but one cosmos' : Constance Naden as scientist, philosopher, and poet
description Through her poetry and essays Constance Naden (1858-1889) sought to create an interdisciplinary philosophy predicated upon finding unity in diversity. By providing close-readings of Naden’s poetry, essays, and unpublished notebooks, and thus considering the full breadth of her intellectual pursuits, this thesis demonstrates the extent of her secular world-scheme which attempted to synthesise science, philosophy, and poetry. I begin with an intellectual biography that situates Naden’s scientific education, philosophical ideas, and poetic output in their nineteenth-century contexts. This creates a framework for understanding the trajectory of Naden’s endeavours as scientist, philosopher, and poet. The subsequent chapters demonstrate how these three strands of her life were fundamentally intertwined. Chapter Two focuses upon Naden’s engagement with scientific ideas and the scientific imagination, specifically examining the importance of light as it manifests in the study of botany, astronomy, physics, and physiology. Chapter Three turns to Naden as philosopher, teasing out the details of her childhood faith (newly demonstrated by the notebooks) and analysing the development of her relationship with the freethought movement and wider philosophical discourses. Chapter Four analyses Naden’s equivocal relationship with poetic tradition, focusing on her shifting engagement with Romanticism, and her use of the lyric ‘I’ and the comic mode.
author Stainthorp, Clare Georgina
author_facet Stainthorp, Clare Georgina
author_sort Stainthorp, Clare Georgina
title '[T]hese seemingly rival spheres constitute but one cosmos' : Constance Naden as scientist, philosopher, and poet
title_short '[T]hese seemingly rival spheres constitute but one cosmos' : Constance Naden as scientist, philosopher, and poet
title_full '[T]hese seemingly rival spheres constitute but one cosmos' : Constance Naden as scientist, philosopher, and poet
title_fullStr '[T]hese seemingly rival spheres constitute but one cosmos' : Constance Naden as scientist, philosopher, and poet
title_full_unstemmed '[T]hese seemingly rival spheres constitute but one cosmos' : Constance Naden as scientist, philosopher, and poet
title_sort '[t]hese seemingly rival spheres constitute but one cosmos' : constance naden as scientist, philosopher, and poet
publisher University of Birmingham
publishDate 2017
url https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.707644
work_keys_str_mv AT stainthorpclaregeorgina theseseeminglyrivalspheresconstitutebutonecosmosconstancenadenasscientistphilosopherandpoet
_version_ 1719015088339288064