Moran as secret agent

In this article I discuss parody as a form of intertextual play.I consider PartTwo of Molloy in relation to the conventions of the 'spy thriller' with Moran as a parodic version of the secret agent. I formulate the idea of parody as taking place in what I term an 'intertextual play...

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Bibliographic Details
Main Author: Campbell, Julie (Author)
Other Authors: Buning, Marius (Contributor), Engelberts, Matthijs (Contributor), Houppermans, Sjef (Contributor)
Format: Article
Language:English
Published: 2002.
Subjects:
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100 1 0 |a Campbell, Julie  |e author 
100 1 0 |a Buning, Marius  |e contributor 
100 1 0 |a Engelberts, Matthijs  |e contributor 
100 1 0 |a Houppermans, Sjef  |e contributor 
245 0 0 |a Moran as secret agent 
260 |c 2002. 
856 |z Get fulltext  |u https://eprints.soton.ac.uk/28885/1/28885.pdf 
856 |z Get fulltext  |u https://eprints.soton.ac.uk/28885/2/art00006 
856 |z Get fulltext  |u https://eprints.soton.ac.uk/28885/3/Moran_as_Secret_Agent.doc 
520 |a In this article I discuss parody as a form of intertextual play.I consider PartTwo of Molloy in relation to the conventions of the 'spy thriller' with Moran as a parodic version of the secret agent. I formulate the idea of parody as taking place in what I term an 'intertextual play space': a space which disturbs and blurs the neat, sharp lines that could be seen to separate texts from texts: there is contamination, and a fruitful one, which replaces any idea of singularity with plurality. 
655 7 |a Article