Moran as secret agent
In this article I discuss parody as a form of intertextual play.I consider PartTwo of Molloy in relation to the conventions of the 'spy thriller' with Moran as a parodic version of the secret agent. I formulate the idea of parody as taking place in what I term an 'intertextual play...
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Other Authors: | , , |
Format: | Article |
Language: | English |
Published: |
2002.
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Online Access: | Get fulltext Get fulltext Get fulltext |
LEADER | 01083 am a22001813u 4500 | ||
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001 | 28885 | ||
042 | |a dc | ||
100 | 1 | 0 | |a Campbell, Julie |e author |
100 | 1 | 0 | |a Buning, Marius |e contributor |
100 | 1 | 0 | |a Engelberts, Matthijs |e contributor |
100 | 1 | 0 | |a Houppermans, Sjef |e contributor |
245 | 0 | 0 | |a Moran as secret agent |
260 | |c 2002. | ||
856 | |z Get fulltext |u https://eprints.soton.ac.uk/28885/1/28885.pdf | ||
856 | |z Get fulltext |u https://eprints.soton.ac.uk/28885/2/art00006 | ||
856 | |z Get fulltext |u https://eprints.soton.ac.uk/28885/3/Moran_as_Secret_Agent.doc | ||
520 | |a In this article I discuss parody as a form of intertextual play.I consider PartTwo of Molloy in relation to the conventions of the 'spy thriller' with Moran as a parodic version of the secret agent. I formulate the idea of parody as taking place in what I term an 'intertextual play space': a space which disturbs and blurs the neat, sharp lines that could be seen to separate texts from texts: there is contamination, and a fruitful one, which replaces any idea of singularity with plurality. | ||
655 | 7 | |a Article |