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1“... Directing Style owing to the limitation of the theater and actor's quality. The Conclusion is a statement...”
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2“... of social movements and media. Accordingly, this study uses "mediatization" and "actor network theory (ANT...”
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3“... actors： While facing the low degree of danger, the directly threatened actor will take...”
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4“...''s acting experience in The Glass Menagerie, a play written by Tennessee Williams, directed by Vicky Chiang...”
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5“... computing, and asynchronous communication. Unfortunately, the properties of the actor model prevent direct...”
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6“... become interested in the texts of huaju in the 50s and 60s. However, scenery, actor training models...”
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7“.... More precisely, it will point the direction for what the discursive formation during the process...”
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8“... strengthen performance of actor/actress. These two elements are individually based on the theories of Wilhelm...”
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9“... into the United Nations’ Reform Process, the reforms get some new directions, especially embodied in global...”
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10“..., actors can save the processing time by directly excluding the error sensed data at next time. Moreover...”
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11“... of the brand in all of IT distributor is the efforts in the directions for multi-brand, and the strategy has...”
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12“...碩士 === 國立臺灣大學 === 政治學研究所 === 96 === This study investigates the interaction network of actors...”
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13“... atmosphere、sound and music and actor modeling. The third part is the audience evaluation about drama which...”
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14“... the learning scenario. You can choose to be an actor, a director or a sound controller. In order to know...”
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15“...’ leisure involvement affected place attachment directly. (3)Bike actors’ leisure involvement affected...”
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16“... is not yet completed. Screen actors are not facing the audience directly, but rather a subject whose...”
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17“.... The second chapter analyzes the play Uncle Vanya directed by CHU, HUNG-CHANG. The third chapter organizes how...”
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18“... satisfaction and personal peacefulness. Therefore, the study used Actor-Partner Interdependence Model (APIM...”
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19“... somatic-oriented actor’s training approach to dance performance. By reviewing previous results...”
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20“... to achieve graduated production productions past performance experience, and open the future direction...”
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